His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 من الصفحات |
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الصفحة 11
... perhaps no poet ever kept his personages more distinct from each other . I will not say with Pope , that every speech may be assigned to the proper speaker , because many speeches there are which have nothing characteristical ; but perhaps ...
... perhaps no poet ever kept his personages more distinct from each other . I will not say with Pope , that every speech may be assigned to the proper speaker , because many speeches there are which have nothing characteristical ; but perhaps ...
الصفحة 50
... perhaps criticizing the performer's voice ( " A mellifluous voice " [ Twelfth Night , II . iii . 54 ] ) before taking up the play again where he dropped it for the counterattraction of music . . . . The inability of the Elizabethan ...
... perhaps criticizing the performer's voice ( " A mellifluous voice " [ Twelfth Night , II . iii . 54 ] ) before taking up the play again where he dropped it for the counterattraction of music . . . . The inability of the Elizabethan ...
الصفحة 345
... perhaps , that suffers them and overrules them ? And in King Lear this question is not left to us to ask , it is raised by the characters themselves . References to religious or irreligious beliefs and feelings are more frequent than is ...
... perhaps , that suffers them and overrules them ? And in King Lear this question is not left to us to ask , it is raised by the characters themselves . References to religious or irreligious beliefs and feelings are more frequent than is ...
المحتوى
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young