His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 46
الصفحة 105
... tion works which differ from each other as widely as The Comedy of Errors , Measure for Measure , and The Tempest ; but if we cannot seize it as a whole , we may see from a little distance this side and that of comedy as understood by ...
... tion works which differ from each other as widely as The Comedy of Errors , Measure for Measure , and The Tempest ; but if we cannot seize it as a whole , we may see from a little distance this side and that of comedy as understood by ...
الصفحة 124
... tion in the ritual . Even in New Comedy the dramatist usually tries to bring his action as close to a tragic overthrow of the hero as he can get it , and reverses this movement as suddenly as possible . In Plautus the tricky slave is ...
... tion in the ritual . Even in New Comedy the dramatist usually tries to bring his action as close to a tragic overthrow of the hero as he can get it , and reverses this movement as suddenly as possible . In Plautus the tricky slave is ...
الصفحة 352
... tion that Lear dies in ecstasy . He finds , however , in Lear's belief that Cordelia is alive a symbolic truth which Bradley does not . In this he anticipates Oscar James Campbell , who in his 1948 article " The Salva- tion of Lear ...
... tion that Lear dies in ecstasy . He finds , however , in Lear's belief that Cordelia is alive a symbolic truth which Bradley does not . In this he anticipates Oscar James Campbell , who in his 1948 article " The Salva- tion of Lear ...
المحتوى
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young