Poems, with illustrative remarks [ed. by W.C. Oulton]. To which is prefixed a sketch of the author's life, المجلد 1 |
من داخل الكتاب
الصفحة 71
Shewing life ' s triumph in the map of death , And death ' s dim look in life ' s
mortality . Each in her sleep themselves so beautify , As if between them twain
there were no strife , But that life liv ' d in death , and death in life . Her breasts like
ivory ...
Shewing life ' s triumph in the map of death , And death ' s dim look in life ' s
mortality . Each in her sleep themselves so beautify , As if between them twain
there were no strife , But that life liv ' d in death , and death in life . Her breasts like
ivory ...
الصفحة 120
Poor broken glass , I often did behold In thy sweet semblance , my old age new -
born ; But now that fair fresh mirror , dim and cold , Shews me a bare - bon ' d
death by time out - worn : O ! from my cheeks my image thou hast torn ! And
shiver ...
Poor broken glass , I often did behold In thy sweet semblance , my old age new -
born ; But now that fair fresh mirror , dim and cold , Shews me a bare - bon ' d
death by time out - worn : O ! from my cheeks my image thou hast torn ! And
shiver ...
الصفحة 140
As Venus is here bribing Death with flatteries to spare Adonis , the editors could
not help thinking of pompous tombs . But tombs are no honor to death ,
considered as a being , but to the parties buried . I much suspect our author
intended ...
As Venus is here bribing Death with flatteries to spare Adonis , the editors could
not help thinking of pompous tombs . But tombs are no honor to death ,
considered as a being , but to the parties buried . I much suspect our author
intended ...
الصفحة 169
William Shakespeare Walley Chamberlain Oulton. ther for unrecallable . This
licentious use of the participle is common in the writings of our author and his
cotemporaries . Malone . . . Ib . 1 . 28 . Death ' s - man ; i . e . executioner . So in
one of ...
William Shakespeare Walley Chamberlain Oulton. ther for unrecallable . This
licentious use of the participle is common in the writings of our author and his
cotemporaries . Malone . . . Ib . 1 . 28 . Death ' s - man ; i . e . executioner . So in
one of ...
الصفحة 171
And death reproaches dehtor . Reproaches is here , I think , the Saxon genitive
case . - - - When death is the debtor of reproach , she debates whether she
should not rather destroy herself than live ; life being disgraced in consequence
of her ...
And death reproaches dehtor . Reproaches is here , I think , the Saxon genitive
case . - - - When death is the debtor of reproach , she debates whether she
should not rather destroy herself than live ; life being disgraced in consequence
of her ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
ancient appear arms bear beauty better blood body breast breath cheeks COLATINE copies dark dead death deep desire doth editions EDITOR eyes face fair fall false fault fear fire force formerly foul give grief hand haste hath hear heart honour hour kings kiss language learning leave lies light lips live looks lust MALONE means mind nature never night observed once passion perhaps plays poem poet poor present pure quoth reason respect rhyme rose seems sense Shakespeare shame shew sight sometimes sorrow soul sounds speaks spring STEEVENS strife suppose sweet TARQUIN AND LUCRECE tears thee thine thing thou thought thro tongue true VENUS AND ADONIS weep wind wound writers wrong
مقاطع مشهورة
الصفحة xx - In the writings of other poets, a character is too often an individual ; in those of Shakespeare, it is commonly a species.
الصفحة xxi - Shakespeare excels in accommodating his sentiments to real life, but by comparing him with other authors. It was observed of the ancient schools of declamation, that the more diligently they were frequented, the more was the student disqualified for the world, because he found nothing there which he should ever meet in any other place. The same remark may be applied to every stage but that of Shakespeare. The theatre, when it is under any other direction...
الصفحة xl - Triumph, my Britain! Thou hast one to show To whom all scenes of Europe homage owe. He was not of an age, but for all time; And all the muses still were in their prime When, like Apollo, he came forth to warm Our ears, or like a Mercury to charm. Nature herself was proud of his designs And joyed to wear the dressing of his lines, Which were so richly spun and woven so fit As, since, she will vouchsafe no other wit.
الصفحة xx - Yet his real power is not shown in the splendour of particular passages, but by the progress of his fable, and, the tenor of his dialogue; and he that tries to recommend him by select quotations, will succeed like the pedant in Hierocles, who, when he offered his house to sale, carried a brick in his pocket as a specimen.
الصفحة xxvii - In his comic scenes he is seldom very successful when he engages his characters in reciprocations of smartness and contests of sarcasm; their jests are commonly gross and their pleasantry licentious; neither his gentlemen nor his ladies have much delicacy, nor are sufficiently distinguished from his clowns by any appearance of refined manners.
الصفحة xli - Muses' anvil, turn the same (And himself with it) that he thinks to frame, Or for the laurel he may gain a scorn, For a good poet's made as well as born; And such wert thou. Look how the father's face Lives in his issue; even so, the race Of Shakespeare's mind and manners brightly shines In his well-turned and true-filed lines, In each of which he seems to shake a lance, As brandished at the eyes of ignorance.
الصفحة xxii - He was inclined to show an usurper and a murderer not only odious but despicable, he therefore added drunkenness to his other qualities, knowing that kings love wine like other men, and that wine exerts its natural power upon kings. These are the petty cavils of petty minds; a poet overlooks the casual distinction of country and condition, as a painter, satisfied with the figure, neglects the drapery.
الصفحة xxxvi - Though he had so many difficulties to encounter, and so little assistance to surmount them, he has been able to obtain an exact knowledge of many modes of life, and many casts of native dispositions; to vary them with great multiplicity; to mark them by nice distinctions; and to shew them in full view by proper combinations.
الصفحة xix - The poet, of whose works I have undertaken the revision, may now begin to assume the dignity of an ancient, and claim the privilege of established fame and prescriptive veneration. He has long outlived his century, the term commonly fixed as the test of literary merit.
الصفحة xxviii - A quibble is to Shakespeare what luminous vapours are to the traveller; he follows it at all adventures; it is sure to lead him out of his way, and sure to engulf him in the mire. It has some malignant power over his mind, and its fascinations are irresistible.
معلومات المراجع
| العنوان | Poems, with illustrative remarks [ed. by W.C. Oulton]. To which is prefixed a sketch of the author's life, المجلد 1 Poems, with illustrative remarks [ed. by W.C. Oulton]. To which is prefixed a sketch of the author's life, Walley Chamberlain Oulton |
| المؤلف | William Shakespeare |
| المُحرر | Walley Chamberlain Oulton |
| منشور | 1804 |
| أصلي من | جامعة أوكسفورد |
| الكتب ذات التنسيق الرقمي | 13 أيلول (سبتمبر) 2007 |
| تصدير الاقتباس | BiBTeX EndNote RefMan |