Mr. Johnson's Preface to His Edition of Shakespear's Plays..J. and R. Tonson, H. Woodfall, J. Rivington, R. Baldwin, L. Hawes, Clark and Collins, T. Longman, W. Johnston, T. Caslon, C. Corbet, T. Lownds, and the executors of B. Dodd., 1765 - 72 من الصفحات |
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الصفحة xiv
Thus rose the two modes of imitation , known by the names of tragedy and
comedy , compositions intended to promote different ends by contrary means ,
and considered as so little allied , that I do not recollect among the Greeks or
Romans a ...
Thus rose the two modes of imitation , known by the names of tragedy and
comedy , compositions intended to promote different ends by contrary means ,
and considered as so little allied , that I do not recollect among the Greeks or
Romans a ...
الصفحة xvii
Shakespeare engaged in dramatick poetry with the world open before him ; the
rules of the ancients were yet known to few ; the publick judgment was unformed ;
he had no example of such fame as might force him upon imitation , nor criticks ...
Shakespeare engaged in dramatick poetry with the world open before him ; the
rules of the ancients were yet known to few ; the publick judgment was unformed ;
he had no example of such fame as might force him upon imitation , nor criticks ...
الصفحة xxviii
The drama exhibits fuccessive imitations of successive actions , and why may not
the second imitation represent an action that happened years after the first ; if it
be so connected with it , that nothing but time can be supposed to inter , Time is ...
The drama exhibits fuccessive imitations of successive actions , and why may not
the second imitation represent an action that happened years after the first ; if it
be so connected with it , that nothing but time can be supposed to inter , Time is ...
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able action ancient appear attention authour becauſe believe cenſure characters comedy common commonly conjecture conſidered continued copies corrupted criticiſm criticks deſign dialogue diligence diſcovered diſtinction drama eaſily eaſy edition editor elegance emendations endeavoured Engliſh excellence exhibited fame faults firſt follows force give given greater himſelf hiſtory hope human ignorance imagination imitation incidents inſtruct juſt knowledge known labour language laſt learning meaning mind modes moſt muſt nature neceſſary never notes obſcure obſerved opinion original particular paſſages performance perhaps Plautus plays pleaſe pleaſure poet Pope praiſe preſent preſerved principles produced publiſhed reader reaſon received repreſented reſt ſame ſay ſcenes ſeems ſentiments Shakeſpeare ſhould ſome ſometimes ſtage ſtate ſtudy ſuch ſuffered ſufficient ſuppoſe theſe thing thoſe thought tion tragedy truth unities uſe whole writer written