Mr. Johnson's Preface to His Edition of Shakespear's Plays..J. and R. Tonson, H. Woodfall, J. Rivington, R. Baldwin, L. Hawes, Clark and Collins, T. Longman, W. Johnston, T. Caslon, C. Corbet, T. Lownds, and the executors of B. Dodd., 1765 - 72 من الصفحات |
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الصفحة xliii
... to the drama , is to be found , though , I think , not in Gorboduc which is
confeffeddy before our authour ; yet in Hieronnymo , of which the date is not
certain , but which there is reason to believe at least as old as his earliest plays .
... to the drama , is to be found , though , I think , not in Gorboduc which is
confeffeddy before our authour ; yet in Hieronnymo , of which the date is not
certain , but which there is reason to believe at least as old as his earliest plays .
الصفحة xlv
Samuel Johnson. It does not appear , that Shakespeare thought his works worthy
of posterity , that he levied any ideal tribuce upon future cimes , or had any further
profpeat , than of present popularity and present profit . When his plays had ...
Samuel Johnson. It does not appear , that Shakespeare thought his works worthy
of posterity , that he levied any ideal tribuce upon future cimes , or had any further
profpeat , than of present popularity and present profit . When his plays had ...
الصفحة xlviii
I know not why he is commended by Dr. Warburlon for distinguishing the genuine
from the spuri . ous plays . In this choice he exerted no judgement of his own ; the
plays which he received , were given by Tlemings and Condel , the first editors ...
I know not why he is commended by Dr. Warburlon for distinguishing the genuine
from the spuri . ous plays . In this choice he exerted no judgement of his own ; the
plays which he received , were given by Tlemings and Condel , the first editors ...
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able action ancient appear attention authour becauſe believe cenſure characters comedy common commonly conjecture conſidered continued copies corrupted criticiſm criticks deſign dialogue diligence diſcovered diſtinction drama eaſily eaſy edition editor elegance emendations endeavoured Engliſh excellence exhibited fame faults firſt follows force give given greater himſelf hiſtory hope human ignorance imagination imitation incidents inſtruct juſt knowledge known labour language laſt learning meaning mind modes moſt muſt nature neceſſary never notes obſcure obſerved opinion original particular paſſages performance perhaps Plautus plays pleaſe pleaſure poet Pope praiſe preſent preſerved principles produced publiſhed reader reaſon received repreſented reſt ſame ſay ſcenes ſeems ſentiments Shakeſpeare ſhould ſome ſometimes ſtage ſtate ſtudy ſuch ſuffered ſufficient ſuppoſe theſe thing thoſe thought tion tragedy truth unities uſe whole writer written