The Tragedian: An Essay on the Histrionic Genius of Junius Brutus BoothHurd and Houghton, 1868 - 189 من الصفحات |
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الصفحة 5
... organization , were subordinated to a genius , which laid hold of and expressed , with absolute sincerity , the radical elements of character ; and gave play to its minor mani- OBITUARY . THOMAS R. GOULD . 44 The well - 6 THE TRAGEDIAN .
... organization , were subordinated to a genius , which laid hold of and expressed , with absolute sincerity , the radical elements of character ; and gave play to its minor mani- OBITUARY . THOMAS R. GOULD . 44 The well - 6 THE TRAGEDIAN .
الصفحة 13
... spirit . Tone is the direct utterance of the heart and the imagination . We hold with Hazlitt . We have heard tones equal to the expression of the grandest words of Shakespeare . They ring in the THE TRAGEDIAN . 13 PAGE.
... spirit . Tone is the direct utterance of the heart and the imagination . We hold with Hazlitt . We have heard tones equal to the expression of the grandest words of Shakespeare . They ring in the THE TRAGEDIAN . 13 PAGE.
الصفحة 15
... hold it to be " womanish and weak , " compared with that robust and intellectual delight , which comes with the " sense of distinctness great actor is capable of imparting to creations of human character whose form is genuine , a and ...
... hold it to be " womanish and weak , " compared with that robust and intellectual delight , which comes with the " sense of distinctness great actor is capable of imparting to creations of human character whose form is genuine , a and ...
الصفحة 43
... hold of and personated the elements of a character , permitted certain minor varia- tions , both in by - play and intonation , in dif- ferent performances of the same part , with- out injuring , but rather heightening , the general ...
... hold of and personated the elements of a character , permitted certain minor varia- tions , both in by - play and intonation , in dif- ferent performances of the same part , with- out injuring , but rather heightening , the general ...
الصفحة 56
... holds up the hilt of his sword , the cross , and not the blade , for the imposition of their hands . We have seen , both in picture and on the stage , the hands of Horatio and Marcellus laid along the blade . In this scene , the " antic ...
... holds up the hilt of his sword , the cross , and not the blade , for the imposition of their hands . We have seen , both in picture and on the stage , the hands of Horatio and Marcellus laid along the blade . In this scene , the " antic ...
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عبارات ومصطلحات مألوفة
acter action actor appeared audience Banquo bare bodkin beauty blood Booth gave Brabantio brain Brutus Cassio char character charm City Madam Cordelia delight Desdemona dramatic Edmund Kean emotion emphasis expression face father fear feeling filled Garrick genius gesture ghost Goneril grandeur grief Guest Hamlet hand heard heart heaven histrionic Iago Iago's imagination intense intonation Kean's king kingly Lady Lady Macbeth Lamb's Lear light lines listener living look Lord Lovel Macbeth madness manner meaning melancholy mood murder nature ness never noble OCTAVIAN Othello pass passage passion pathos pause pay Old Debts performance Pescara phrase play players Polonius preter Regan resonant Richard Roderigo scene scorn seemed Shake Shakespeare Shylock silent Sir Giles soliloquy soul sound speak speech spirit stage stroke subtle supernatural sword tender theatre thee Third Act thou thought tion tones touch TRAGEDIAN tragedy truth uttered voice wonder words
مقاطع مشهورة
الصفحة 120 - You owe this strange intelligence? or why Upon this blasted heath you stop our way With such prophetic greeting? Speak, I charge you. [Witches vanish. Ban. The earth hath bubbles, as the water has, And these are of them.
الصفحة 71 - Horatio, what a wounded name, Things standing thus unknown, shall live behind me. If thou didst ever hold me in thy heart, Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story.
الصفحة 63 - What may this mean, That thou, dead corse, again in complete steel, Revisit'st thus the glimpses of the moon, Making night hideous; and we fools of nature So horridly to shake our disposition With thoughts beyond the reaches of our souls?
الصفحة 54 - My father's spirit in arms ! all is not well ; I doubt some foul play: 'would, the night were come! Till then sit still, my soul : Foul deeds will rise, Though all the earth o'erwhelm them, to men's eyes.
الصفحة 101 - Twere now to be most happy, for I fear My soul hath her content so absolute That not another comfort like to this Succeeds in unknown fate.
الصفحة 65 - Come, come, and sit you down ; you shall not budge ; You go not till I set you up a glass Where you may see the inmost part of you.
الصفحة 105 - Tis not to make me jealous, To say — my wife is fair, feeds well, loves company, Is free of speech, sings, plays, and dances well; Where virtue is, these are more virtuous: Nor from mine own weak merits will I draw The smallest fear, or doubt of her revolt; For she had eyes, and chose me...
الصفحة 90 - Look, where he comes ! Not poppy, nor mandragora, Nor all the drowsy syrups of the world, Shall ever medicine thee to that sweet sleep Which thou ow'dst yesterday.
الصفحة 12 - ... the corruptions and abuses of mankind. What have looks, or tones, to do with that sublime identification of his age with that of the heavens themselves, when, in his reproaches to them for conniving at the injustice of his children, he reminds them that " they themselves are old "? What gesture shall we appropriate to this?
الصفحة 59 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come ; the readiness is all ; since no man has aught of what he leaves, what is't to leave betimes?