The Tragedian: An Essay on the Histrionic Genius of Junius Brutus BoothHurd and Houghton, 1868 - 189 من الصفحات |
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الصفحة 23
... reached us . The anecdote that Dr. Johnson was overwhelmed by the pathos of his perform- ance in Lear , is the most noteworthy cir- cumstance of his life upon the stage . But Garrick played Tate's perversion , not Shake- speare's drama ...
... reached us . The anecdote that Dr. Johnson was overwhelmed by the pathos of his perform- ance in Lear , is the most noteworthy cir- cumstance of his life upon the stage . But Garrick played Tate's perversion , not Shake- speare's drama ...
الصفحة 40
... reaching through murderous intent after the glorious diadem . He spoke like a man thinking aloud , not as if reciting from memory . Indeed , to speak with strict- ness , he never re - cited at all . He possessed himself of the character ...
... reaching through murderous intent after the glorious diadem . He spoke like a man thinking aloud , not as if reciting from memory . Indeed , to speak with strict- ness , he never re - cited at all . He possessed himself of the character ...
الصفحة 55
... reached a climax of feeling in the word " father , " into which he threw the agony of his grief , and the contending hope . and fear born of this strange visitation . After a momentary pause , the figure remain- ing silent , Hamlet ...
... reached a climax of feeling in the word " father , " into which he threw the agony of his grief , and the contending hope . and fear born of this strange visitation . After a momentary pause , the figure remain- ing silent , Hamlet ...
الصفحة 67
... reaching and imploring look in his full blue eyes , arching the inner angles of the brows , gave the face a tender exaltation , as he be- gan that strange colloquy between Hamlet , his guilty mother , and his father's spirit , with the ...
... reaching and imploring look in his full blue eyes , arching the inner angles of the brows , gave the face a tender exaltation , as he be- gan that strange colloquy between Hamlet , his guilty mother , and his father's spirit , with the ...
الصفحة 87
... reached the acme of hypocrisy in the passage beginning " Touch me not so near : I had rather have this tongue cut from my mouth Than it should do offense to Michael Cassio ! " When left alone with Cassio , Iago says : " As I am an ...
... reached the acme of hypocrisy in the passage beginning " Touch me not so near : I had rather have this tongue cut from my mouth Than it should do offense to Michael Cassio ! " When left alone with Cassio , Iago says : " As I am an ...
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عبارات ومصطلحات مألوفة
acter action actor appeared audience Banquo bare bodkin beauty blood Booth gave Brabantio brain Brutus Cassio char character charm City Madam Cordelia delight Desdemona dramatic Edmund Kean emotion emphasis expression face father fear feeling filled Garrick genius gesture ghost Goneril grandeur grief Guest Hamlet hand heard heart heaven histrionic Iago Iago's imagination intense intonation Kean's king kingly Lady Lady Macbeth Lamb's Lear light lines listener living look Lord Lovel Macbeth madness manner meaning melancholy mood murder nature ness never noble OCTAVIAN Othello pass passage passion pathos pause pay Old Debts performance Pescara phrase play players Polonius preter Regan resonant Richard Roderigo scene scorn seemed Shake Shakespeare Shylock silent Sir Giles soliloquy soul sound speak speech spirit stage stroke subtle supernatural sword tender theatre thee Third Act thou thought tion tones touch TRAGEDIAN tragedy truth uttered voice wonder words
مقاطع مشهورة
الصفحة 120 - You owe this strange intelligence? or why Upon this blasted heath you stop our way With such prophetic greeting? Speak, I charge you. [Witches vanish. Ban. The earth hath bubbles, as the water has, And these are of them.
الصفحة 71 - Horatio, what a wounded name, Things standing thus unknown, shall live behind me. If thou didst ever hold me in thy heart, Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story.
الصفحة 63 - What may this mean, That thou, dead corse, again in complete steel, Revisit'st thus the glimpses of the moon, Making night hideous; and we fools of nature So horridly to shake our disposition With thoughts beyond the reaches of our souls?
الصفحة 54 - My father's spirit in arms ! all is not well ; I doubt some foul play: 'would, the night were come! Till then sit still, my soul : Foul deeds will rise, Though all the earth o'erwhelm them, to men's eyes.
الصفحة 101 - Twere now to be most happy, for I fear My soul hath her content so absolute That not another comfort like to this Succeeds in unknown fate.
الصفحة 65 - Come, come, and sit you down ; you shall not budge ; You go not till I set you up a glass Where you may see the inmost part of you.
الصفحة 105 - Tis not to make me jealous, To say — my wife is fair, feeds well, loves company, Is free of speech, sings, plays, and dances well; Where virtue is, these are more virtuous: Nor from mine own weak merits will I draw The smallest fear, or doubt of her revolt; For she had eyes, and chose me...
الصفحة 90 - Look, where he comes ! Not poppy, nor mandragora, Nor all the drowsy syrups of the world, Shall ever medicine thee to that sweet sleep Which thou ow'dst yesterday.
الصفحة 12 - ... the corruptions and abuses of mankind. What have looks, or tones, to do with that sublime identification of his age with that of the heavens themselves, when, in his reproaches to them for conniving at the injustice of his children, he reminds them that " they themselves are old "? What gesture shall we appropriate to this?
الصفحة 59 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come ; the readiness is all ; since no man has aught of what he leaves, what is't to leave betimes?