The Works of Samuel Johnson, LL. D.G. Walker ... [and 9 others], 1820 |
من داخل الكتاب
النتائج 1-5 من 66
الصفحة 12
... yet of the one Milton gives the sound in this line : He pass'd o'er many a region dolorous ; and that of the other in this , Sonorous metal blowing martial sounds . It may likewise be proper to remark metrical li cences 12 THE PLAN OF.
... yet of the one Milton gives the sound in this line : He pass'd o'er many a region dolorous ; and that of the other in this , Sonorous metal blowing martial sounds . It may likewise be proper to remark metrical li cences 12 THE PLAN OF.
الصفحة 14
... give occasion to many curious disquisitions , and sometimes perhaps to conjectures , which to readers unacquainted with this kind of study , cannot but appear improbable and capricious . But it may be reasonably imagined , that what is ...
... give occasion to many curious disquisitions , and sometimes perhaps to conjectures , which to readers unacquainted with this kind of study , cannot but appear improbable and capricious . But it may be reasonably imagined , that what is ...
الصفحة 18
... give them perpetuity ; and their changes will be almost always informing us , that language is the work of man , of a being from whom permanence and stability cannot be derived . Words having been hitherto considered as sepa- rate and ...
... give them perpetuity ; and their changes will be almost always informing us , that language is the work of man , of a being from whom permanence and stability cannot be derived . Words having been hitherto considered as sepa- rate and ...
الصفحة 21
... give its consequential meaning , to arrive , to reach any place , whether by land or sea ; as , he ar- rived at his country seat . Then its metaphorical sense , to obtain any thing desired ; as , he arrived at a peerage . Then to ...
... give its consequential meaning , to arrive , to reach any place , whether by land or sea ; as , he ar- rived at his country seat . Then its metaphorical sense , to obtain any thing desired ; as , he arrived at a peerage . Then to ...
الصفحة 23
... gives or which feels terror ; a fearful prodigy , a fear- ful hare . Some have a personal , some a real mean- ing ; as in opposition to old , we use the adjective young , of animated beings , and new of other things . Some are ...
... gives or which feels terror ; a fearful prodigy , a fear- ful hare . Some have a personal , some a real mean- ing ; as in opposition to old , we use the adjective young , of animated beings , and new of other things . Some are ...
عبارات ومصطلحات مألوفة
advantage ancient appear arch ascer beauty Bemoin censure cerning characters commerce common considered copies Coriolanus criticism curiosity diction dictionary diligence discovered Don Henry drama easily easy editor endeavoured English Epictetus EPITAPHS exhibit expected Falstaff favour Foundling Hospital France French genius give Habit happy Harleian library Henry Henry VI honour hope ignorance imagined inquire justly kind king king of Portugal knowledge known labour language learned less lexicographer likewise mankind means ment mind nation nature necessary neglected neral never obscure observed opinion orthography panegyric particular passages passions perhaps play pleasing pleasure poet Pope Portuguese praise preserved Prester John prince produced proper racter reader reason regard religion Roman scarcely scenes seems sense sentiments Shakespeare shew shewn sometimes Spain suffered sufficient suppose things thought tion trade truth virtue words writers
مقاطع مشهورة
الصفحة 80 - Shakespeare is, above all writers, at least above all modern writers, the poet of nature ; the poet that holds up to his readers a faithful mirror of manners and of life.
الصفحة 91 - ... carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate ; for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
الصفحة 85 - Shakespeare's plays are not in the rigorous and critical sense either tragedies or comedies, but compositions of a distinct kind; exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveller is hasting to his wine, and the mourner burying his friend...
الصفحة 82 - But love is only one of many passions, and as it has no great influence upon the sum of life, it has little operation in the dramas of a poet who caught his ideas from the living world, and exhibited only what he saw before him. He knew that any other passion, as it was regular or exorbitant, was a cause of happiness or calamity. Characters thus ample and general were not easily discriminated and preserved, yet perhaps no poet ever kept his personages more distinct from each other.
الصفحة 85 - Shakespeare has united the powers of exciting laughter and sorrow not only in one mind, but in one composition. Almost all his plays are divided between serious and ludicrous characters, and, in the successive evolutions of the design, sometimes produce seriousness and sorrow, and sometimes levity and laughter.
الصفحة 86 - ... poetry. This reasoning is so specious that it is received as true even by those who in daily experience feel it to be false. The interchanges of mingled scenes seldom fail to produce the intended vicissitudes of passion. Fiction cannot move so much but that the attention may be easily transferred...
الصفحة 82 - But the dialogue of this author is often so evidently determined by the incident which VOL. ii. a produces it, and is pursued with so much ease and simplicity, that it seems scarcely to claim the merit of fiction, but to have been gleaned by diligent selection out of common conversation, and common occurrences.
الصفحة 31 - TT is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good ; to be exposed to censure, without hope of praise ; to be disgraced by miscarriage, or punished for neglect, where success would have been without applause, and diligence without reward.
الصفحة 103 - Our author's plots are generally borrowed from novels ; and it is reasonable to suppose, that he chose the most popular, such as were read by many, and related by more ; for his audience could not have followed him through the intricacies of the drama, had they not held the thread of the story in their hands. The stories, which we now find only in remoter authors, were, in his time, accessible and familiar. The fable of As You Like It, which is supposed to be copied from Chaucer's Gamelyn, was a...
الصفحة 78 - As among the works of nature, no man can properly call a river deep, or a mountain high, without the knowledge of many mountains and many rivers ; so in the productions of genius, nothing can be styled excellent till it has been compared with other works of the same kind.