The Mysteries of UdolphoCourier Corporation, 05/03/2014 - 624 من الصفحات Stranded in a gloomy medieval fortress, an orphaned heroine battles the devious schemes of her guardians as well as her own pensive visions and melancholy fancies. Generations of readers have thrilled to The Mysteries of Udolpho, one of the most popular of the early Gothic novels, and considered a landmark in the realm of psychological fiction. Set in 1584, the tale unfolds amid the secret chambers of a chateau in southern France and a castle in the remote Apennines, populated by pirates, brigands, ghosts, and specters. Emily St. Aubert, imprisoned by her rapacious guardian Count Montoni and his sadistic wife, struggles to reconcile her father’s teachings of reserve and moderation with her own reckless passions. Emily’s attempts to control her emotions and resolve her suspicions and self-doubts offer a haunting and hypnotic pre-Freudian exploration of the psyche. Sir Walter Scott proclaimed author Ann Radcliffe “the first poetess of romantic fiction,” and this thriller became a bestseller upon its 1794 publication. The novel exercised a powerful influence on the Marquis de Sade, Edgar Allan Poe, and other mystery writers. It achieved further renown with a satirical treatment in Jane Austen’s Northanger Abbey, in which an impressionable young character is profoundly affected by the dungeons and crypts of Castle Udolpho and their scenes of bloodshed, mayhem, and terror. The Mysteries of Udolpho continues to enchant modern readers with the fairy-tale elements of its suspenseful plot and its dreamlike, surrealistic portrayals of human consciousness. |
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الصفحة 23
... command, and the quickness of discernment, than of any other character. Signor Cavigni, his friend, appeared to be about thirty—his inferior in dignity, but equal to him in penetration of countenance,. The Mysteries of Udolpho 23.
... command, and the quickness of discernment, than of any other character. Signor Cavigni, his friend, appeared to be about thirty—his inferior in dignity, but equal to him in penetration of countenance,. The Mysteries of Udolpho 23.
الصفحة 114
... Cavigni, the late visitors at M. Quesnel's, who now seemed to converse with Madame Cheron with the familiarity of old acquaintance, and she to attend to them with particular pleasure. This Signor Montoni had an air of conscious ...
... Cavigni, the late visitors at M. Quesnel's, who now seemed to converse with Madame Cheron with the familiarity of old acquaintance, and she to attend to them with particular pleasure. This Signor Montoni had an air of conscious ...
الصفحة 122
... Cavigni, and neither perceived Valancourt, or was willing to be interrupted. A faintness suddenly came over Emily, and, unable to support herself, she sat down on a turf bank beneath the trees, where several other persons were seated ...
... Cavigni, and neither perceived Valancourt, or was willing to be interrupted. A faintness suddenly came over Emily, and, unable to support herself, she sat down on a turf bank beneath the trees, where several other persons were seated ...
الصفحة 123
... Cavigni carelessly, and looking back. “You know him then?” said Madame Cheron. “I am not acquainted with him,” replied Cavigni. “You don't know, then, the reason I have to call him impertinent;—he has had the presumption to admire my ...
... Cavigni carelessly, and looking back. “You know him then?” said Madame Cheron. “I am not acquainted with him,” replied Cavigni. “You don't know, then, the reason I have to call him impertinent;—he has had the presumption to admire my ...
الصفحة 124
... Cavigni, “that he never knew but one woman who deserved it.” “Well!” exclaimed Madame Cheron, with a short laugh, and a smile of unutterable complacency, “and who could she be?” “O!” replied Cavigni, “it is impossible to mistake her ...
... Cavigni, “that he never knew but one woman who deserved it.” “Well!” exclaimed Madame Cheron, with a short laugh, and a smile of unutterable complacency, “and who could she be?” “O!” replied Cavigni, “it is impossible to mistake her ...
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added affected Annette apartment appeared attention Aubert aunt believe Blanche called castle chamber chateau circumstances concerning conduct considered continued conversation Count countenance dark dear distance door doubt Emily Emily’s emotion endeavoured expected expressed eyes fancy father fear felt followed gave give hand happiness hear heard heart hope hour immediately interest Italy kind knew lady Languedoc late leave length light listened longer looked Ludovico ma’amselle Madame Montoni manner means melancholy mind moment Morano mountains never night object observed occasioned once opened passed paused perceived person present reached reason received recollected remained remember replied retired returned round scarcely scene seemed seen servants Signor silent smile sometimes soon sound speak spirits steps suffered surprised tears tell thought till told trembling turned Valancourt voice walked watch waves wish woods