The Works of Samuel Johnson, LL. D.G. Walker, 1820 |
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الصفحة 3
... numbers ; " and have given such early proofs , not only of powers of lan- guage , but of comprehension of things , as to more tardy minds seem scarcely credible . But of the learned puerilities of Cowley there is no doubt , since a ...
... numbers ; " and have given such early proofs , not only of powers of lan- guage , but of comprehension of things , as to more tardy minds seem scarcely credible . But of the learned puerilities of Cowley there is no doubt , since a ...
الصفحة 11
... numbers . At the same time were produced , from the same university , the two great poets , Cowley and Milton , of dissimilar genius , of opposite principles , but concurring in the cultivation of Latin poetry ; in which the English ...
... numbers . At the same time were produced , from the same university , the two great poets , Cowley and Milton , of dissimilar genius , of opposite principles , but concurring in the cultivation of Latin poetry ; in which the English ...
الصفحة 12
... numbers were inevitably disappointed ; and Cowley found his reward very tediously delayed . He had been promised by both Charles the First and Second , the mastership of the Savoy ; " but he lost it , " says Wood , " by certain persons ...
... numbers were inevitably disappointed ; and Cowley found his reward very tediously delayed . He had been promised by both Charles the First and Second , the mastership of the Savoy ; " but he lost it , " says Wood , " by certain persons ...
الصفحة 21
... numbers . Milton tried the metaphysic style only in his lines upon Hobson the carrier . Cowley adopted it , and excelled his predecessors , having as much sentiment and more music . Suckling neither improved versification , nor abounded ...
... numbers . Milton tried the metaphysic style only in his lines upon Hobson the carrier . Cowley adopted it , and excelled his predecessors , having as much sentiment and more music . Suckling neither improved versification , nor abounded ...
الصفحة 25
... number and fixt rules were brought . Water and air he for the tenor chose , Earth made the base ; the treble , flame arose . COWLEY . The tears of lovers are always of great poetical account , but Donne has extended them into worlds ...
... number and fixt rules were brought . Water and air he for the tenor chose , Earth made the base ; the treble , flame arose . COWLEY . The tears of lovers are always of great poetical account , but Donne has extended them into worlds ...
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Absalom and Achitophel admired Æneid afterwards ancients appears beauties better blank verse called censure character Charles Charles Dryden composition considered Cowley criticism death defend delight diction dramatic Dryden duke earl elegance English English poetry Euripides excellence fancy faults favour friends genius Georgics heaven heroic honour hope Hudibras images imagination imitation Jacob Tonson John Dryden Juvenal kind king known labour lady language Latin learning lines Lord Lord Roscommon Milton mind nature never NIHIL numbers opinion Paradise Lost Paradise Regained parliament passions perhaps perusal Philips Pindar play pleasing pleasure poem poet poetical poetry pounds praise preface produced published racters reader reason relates remarks reputation rhyme satire says seems sent sentiments shew sometimes Sprat style supposed thee thing thou thought tion tragedy translation truth verses versification Virgil virtue Waller words write written wrote
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الصفحة 74 - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
الصفحة 73 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer; Willing to wound and yet afraid to strike, Just hint a fault and hesitate dislike; Alike...
الصفحة 375 - DRYDEN may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition. Of our former poets, the greatest dramatist wrote without rules, conducted through life and nature by a genius that rarely misled, and rarely deserted him. Of the rest, those who knew the laws of propriety had neglected to teach them.
الصفحة 35 - To move, but doth if th' other do. And though it in the center sit, Yet when the .other far doth roam, It leans and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must, Like th' other foot, obliquely run: Thy firmness makes my circle just, And makes me end where I begun.
الصفحة 206 - At the moment in which he expired, he uttered, with an energy of voice, that expressed the most fervent devotion, two lines of his own version of Dies Ira; : My God, my father, and my friend, Do not forsake me in my end.
الصفحة 144 - It is not to be considered as the effusion of real passion ; for passion runs not after remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls upon Arethuse and Mincius, nor tells of rough satyrs and fauns with cloven heel.
الصفحة 404 - Blest above; So when the last and dreadful hour This crumbling pageant shall devour, The trumpet shall be heard on high, The dead shall live, the living die, And Music shall untune the sky!
الصفحة 130 - Fancy can hardly forbear to conjecture with what temper Milton surveyed the silent progress of his work, and marked his reputation stealing its way in a kind of subterraneous current, through fear and silence. I cannot but conceive him calm and confident, little disappointed, not at all dejected, relying on his own merit with steady consciousness, and waiting without impatience, the vicissitudes of opinion, and the impartiality of a future generation.
الصفحة 394 - To see this fleet upon the ocean move, Angels drew wide the curtains of the skies; And Heaven, as if there wanted lights above, For tapers made two glaring comets rise.
الصفحة 19 - Their attempts were always analytic ; they broke every image into fragments: and could no more represent, by their slender conceits 'and laboured particularities, the prospects of nature or the scenes of life, than he who dissects a sunbeam with a prism can exhibit the wide effulgence of a summer noon.