Theatre and Drama in the Making: From antiquity through the eighteenth centuryHoughton Mifflin, 1964 |
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النتائج 1-3 من 81
الصفحة 97
... stage ; Plautus calls it scaena or proscaenium , 1 and the Latin for " dramatic festival " is ludi scaenici . It was probably not more than five feet high , but may even in the days of Plautus have been of considerable length and some ...
... stage ; Plautus calls it scaena or proscaenium , 1 and the Latin for " dramatic festival " is ludi scaenici . It was probably not more than five feet high , but may even in the days of Plautus have been of considerable length and some ...
الصفحة 101
... stage . When for some reason the dramatist wishes to move a character from one of these places to another without bringing him on to the stage he falls back on another convention , the use of the angiportus ( or angi- portum ) . The ...
... stage . When for some reason the dramatist wishes to move a character from one of these places to another without bringing him on to the stage he falls back on another convention , the use of the angiportus ( or angi- portum ) . The ...
الصفحة 163
... stage in the first theatre built in England ? He roofed his stage because the stage had always been roofed , even when it was only a wagon blocking the entrance to an inn ; and the stage had always been roofed because a sounding board ...
... stage in the first theatre built in England ? He roofed his stage because the stage had always been roofed , even when it was only a wagon blocking the entrance to an inn ; and the stage had always been roofed because a sounding board ...
المحتوى
The Origin of Tragedy | 3 |
Theory and Criticism of Tragedy 22235 | 21 |
HORACE from The Art of Poetry | 41 |
حقوق النشر | |
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Abraham action actors Adrastus Aegisthus Aeschylus Agamemnon ancient appear Aristophanes Aristotle Athenians Athens Atreus audience Ben Jonson Caesar called Captain century character child chorus Clytemnestra comedy comic Cordatus Corneille costumes criticism dance death Dionysiac Dionysus Disdemona dithyramb dramatist Elizabethan England English Ensign Euripides example father fear French give Greek hand hath Heaven Herod husband imitation Isaac Jonson kill kind King lady London Lord Macbeth manner masque means Melians Menander modern Molière Moor moral murder nature neoclassical never Oedipus Orestes Othello passion PEDROLINO Peisistratus performed persons pity Plautus play Playhouse playwrights pleasure plot poet Poetics poetry present queen reason Roman scene serious drama Shakespeare Sophocles speak spectators spirit stage style Terence theatre thee Thespis things thou Thyestes tion tragedy tragic truth unity unto verse virtue wife women words write