The Psychology of Musical TalentSilver, Burdett, 1919 - 288 من الصفحات |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
ability achievement action actual analysis auditory average basis capacity cent Chapter child complex consonance depends determined developed difference direction effect elements example experience expression extent fact factors feeling Figure give given grade guidance heard hearing higher imagery individual intelligence intensity interest intervals involved keen kind limit lower means measure memory ment mental methods mind motor movement musical talent musician natural normal norms objective observer organ overtones perception person physical pitch discrimination play possible practice precision present produce psychology range rank record RELATION relative represents result rhythm rhythmic sense of intensity sense of pitch significance simple singing sound specific Table teachers timbre tion tonal tone tuning fork variation vary vibration voice volume wave whole
مقاطع مشهورة
الصفحة 254 - Active, persistent, and careful consideration of any belief or supposed form of knowledge in the light of the grounds that support it, and the further conclusions to which it tends, constitutes reflective thought.
الصفحة 232 - It will now appear clear that all improvement of the memory lies in the line of ELABORATING THE ASSOCIATES of each of the several things to be remembered. No amount of culture would seem capable of modifying a man's GENERAL retentiveness.
الصفحة 18 - Her imagery is all of the moderate type. Her auditory imagery can be developed as an excellent support to her superior sensory powers and the motor and visual imagery are prominent enough for an -emotional background in music. Her lowest record is on motility, which is characteristic of the fact that she has a deliberate type of mind and is steady in her movements. Her physique is average, as indicated by her grip and ergogram. Her precision of movement and her simple response to a simple signal...
الصفحة 7 - I. Musical sensitivity A. Simple forms of impression 1. Sense of pitch 2. Sense of intensity 3. Sense of time 4. Sense of extensity B. Complex forms of appreciation 1.
الصفحة 113 - The sense of rhythm Is an Instinctive disposition to group recurrent sense Impressions vividly and with precision, by time, or Intensity, or both, In such a way /as to derive pleasure and efficiency through the grouping".
الصفحة 7 - Natural capacity for skill in accurate and musically expressive production of tones (vocal, instrumental, or both) in : 1. Control of pitch 2. Control of intensity 3. Control of time 4. Control of rhythm 5. Control of timbre 6. Control of volume III.
الصفحة 8 - Musical Memory and Imagination 1. Auditory imagery 2. Motor imagery 3. Creative imagination 4. Memory span 5. Learning power IV. Musical Intellect 1.
الصفحة 21 - Sense of Pitch Sense of Intensity Sense of Time Sense of Consonance Acuity of Hearing Auditory Imagery...
الصفحة 55 - Pitch discrimination is not a matter of logical judgment. It is rather an immediate impression, far more primitive than reflective thought, and dependent upon the presence or absence in various degrees of the sensitive mechanism in the inner ear. In 1938, Seashore defined the physiological limit as "that limit for sensation and perception which is set by the structure of the sense organ and the brain
الصفحة 18 - Theodora has a decidedly musical mind. In the three basic capacities for musical hearing — the sense of pitch, the sense of intensity, and the sense of time — she is superior and well balanced. Her sense of consonance is of a high order.