Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 82
... human affairs from the play , or from the tale , would be equally deceived . Shakespeare has no heroes ; his scenes are occupied only by men , who act and speak as the reader thinks that he should himself have spoken or acted on the ...
... human affairs from the play , or from the tale , would be equally deceived . Shakespeare has no heroes ; his scenes are occupied only by men , who act and speak as the reader thinks that he should himself have spoken or acted on the ...
الصفحة 335
... human concerns so full and affecting , as at that moment when the suspension ceases , and the goings - on of human life are suddenly resumed . All action in any direction is best expounded , measured , and made appre- hensible , by ...
... human concerns so full and affecting , as at that moment when the suspension ceases , and the goings - on of human life are suddenly resumed . All action in any direction is best expounded , measured , and made appre- hensible , by ...
الصفحة 343
... human character , whether in men or in women ; human fates were its object ; great tragic situations under the mighty control of a vast cloudy destiny , dimly descried at intervals , and brooding over human life by mysterious agencies ...
... human character , whether in men or in women ; human fates were its object ; great tragic situations under the mighty control of a vast cloudy destiny , dimly descried at intervals , and brooding over human life by mysterious agencies ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers