Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 177
... Reason is confined to the line of visible existence ; our passions and our fancy extend far beyond into the obscure ; but however lawless their operations may seem , the images they so wildly form have yet a relation to truth , and are ...
... Reason is confined to the line of visible existence ; our passions and our fancy extend far beyond into the obscure ; but however lawless their operations may seem , the images they so wildly form have yet a relation to truth , and are ...
الصفحة 178
... reason , or reason assuming the appearance of fancy , governs some real existence ; but the whole of this art is pourtrayed in a single Play ; in the real madness of Lear , in the assumed wildness of Edgar , and in the Professional ...
... reason , or reason assuming the appearance of fancy , governs some real existence ; but the whole of this art is pourtrayed in a single Play ; in the real madness of Lear , in the assumed wildness of Edgar , and in the Professional ...
الصفحة 193
... reason that they should be so . There is so much in them , which comes not under the province of act- ing , with which eye , and tone , and gesture , have nothing to do . The glory of the scenic art is to personate passion , and the ...
... reason that they should be so . There is so much in them , which comes not under the province of act- ing , with which eye , and tone , and gesture , have nothing to do . The glory of the scenic art is to personate passion , and the ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
حقوق النشر | |
14 من الأقسام الأخرى غير ظاهرة
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عبارات ومصطلحات مألوفة
action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers