Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1973 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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النتائج 1-3 من 37
الصفحة 259
... the very first words - ' Who's there ? ' - is evident from the im- patience expressed by the startled Francisco in the words that follow - ' Nay , answer me : stand and unfold yourself . ' A brave man is never so peremptory HAMLET 259.
... the very first words - ' Who's there ? ' - is evident from the im- patience expressed by the startled Francisco in the words that follow - ' Nay , answer me : stand and unfold yourself . ' A brave man is never so peremptory HAMLET 259.
الصفحة 273
... stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity ... stand before us ; all that passed through the mind of Macbeth passes , without the loss of a tittle , through ours ...
... stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity ... stand before us ; all that passed through the mind of Macbeth passes , without the loss of a tittle , through ours ...
الصفحة 358
... high broom , in a steady hand , may reach without doing mischief . But let children and short men , and unwary ones , stand out of the way . Id . pp . 157-61 . THOMAS CARLYLE The Hero as Poet Or this Shakspeare of 358 LANDOR.
... high broom , in a steady hand , may reach without doing mischief . But let children and short men , and unwary ones , stand out of the way . Id . pp . 157-61 . THOMAS CARLYLE The Hero as Poet Or this Shakspeare of 358 LANDOR.
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS Of Newcastle 162474 | 15 |
حقوق النشر | |
14 من الأقسام الأخرى غير ظاهرة
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عبارات ومصطلحات مألوفة
action admiration appear audience beauty Ben Johnson Caliban censure character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers