The Genesis of Shakespeare Idolatry, 1766-1799: A Study in English Criticism of the Late Eighteenth CenturyUniversity of North Carolina Press, 1931 - 307 من الصفحات In this study of the development of the worship of Shakespeare by the literary critics of the late eighteenth century, the author destroys the misconception that Shakespeare was rediscovered by the romantic critics of the early nineteenth century and proves that, after the idolatry of the late eighteenth century, little remained for the nineteenth century by way of praise except repetition and broadcasting. The book is a valuable contribution to critical method. Originally published in 1931. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value. |
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الصفحة xxi
... later , however , in 1906 , Herr J. Adler's Zur Shakespeare - Kritik des 18. Jahrh . ( Die Shakespeare Kritik im Gentleman's Magazine ) devoted only one brief section ( pp . 16-31 ) specifically to our critics from 1766 to 1799 , giving ...
... later , however , in 1906 , Herr J. Adler's Zur Shakespeare - Kritik des 18. Jahrh . ( Die Shakespeare Kritik im Gentleman's Magazine ) devoted only one brief section ( pp . 16-31 ) specifically to our critics from 1766 to 1799 , giving ...
الصفحة 48
... later the Universal Magazine declared that writers who use mechanical methods " are justly denied the palm of ge- nius " ; hence critics ought not " to comment by line and rule " ; 18 and repeated the idea in 1777.19 William Hodson ...
... later the Universal Magazine declared that writers who use mechanical methods " are justly denied the palm of ge- nius " ; hence critics ought not " to comment by line and rule " ; 18 and repeated the idea in 1777.19 William Hodson ...
الصفحة 49
... later in the play . Similarly , " the time required by the fable elapses for the most part between the acts , " 24 and " Time is , of all modes of exist- ence , most obsequious to the imagination . " 25 Now if the drama is merely ...
... later in the play . Similarly , " the time required by the fable elapses for the most part between the acts , " 24 and " Time is , of all modes of exist- ence , most obsequious to the imagination . " 25 Now if the drama is merely ...
المحتوى
Chapter Page | 3 |
THE SCHOLARLY INTEREST II | 11 |
THE POPULAR INTEREST | 28 |
حقوق النشر | |
19 من الأقسام الأخرى غير ظاهرة
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عبارات ومصطلحات مألوفة
Analytical Review appeared attack British Magazine Chalmers Chap chapter Coleridge Coleridge's Compare Critical Review criticism of Shakespeare David Garrick Davies declared defended edition English eulogy European Magazine example Exeter Society Essays Garrick Gentleman's Magazine George Steevens Griffith Hamlet Hazlitt Hence Henry Hibernian Magazine historical Iago Ibid idea imitation interesting Ireland Johnson and Steevens Julius Cæsar Kames Kemble Kenrick King Lear Lamb late eighteenth century Lectures Letters London Magazine Macbeth Malone Malone's material preceding 1766 Maurice Morgann Meanwhile mind modern Monthly Mirror Monthly Review moral Morgann nature noted passion period poem poet poetic Poetry point of view praise Preface Professor Nichol Smith psychologizing quoted Raysor reference Richard III Ritson scene Scots Magazine Shak Shake Shakespeare Criticism 1916 Shakespeare's characters Shakespeare's plays Sherlock Shylock Sir John Falstaff speare speare's Stage taste texts tion Tom Davies Tragedy unities Universal Magazine Voltaire Voltaire's Whately writer wrote XVIII zine