Decomposition: Post-Disciplinary Performance

الغلاف الأمامي
Sue-Ellen Case, Philip Brett, Susan Leigh Foster
Indiana University Press, 22‏/06‏/2000 - 232 من الصفحات
“A collection of essays in a variety of disciplines that confront oppressed, marginalized, and invisible space . . . an astonishing array of material.” —Theatre Research International

The fluid nature of performance studies and the widening embrace of the idea of performativity have come together in Decomposition to produce a collection that crosses disciplinary lines of academic work. The essays move from the local to the global, from history to sport, from body parts to stage productions, and from race relations to global politics.

In the title essay, Elizabeth Wood writes about a basic human relation cast around the question of performance and triangulated by the role that a great performer took within it. Together these essays pursue critical understandings of performance in our postmodern world.

Contributors include Philip Brett, Sue-Ellen Case, Susan Leigh Forster, Amelia Jones, Kristine C. Kuramitsu, George Lipsitz, Catherine Lord, Ronald Radano, Timothy D. Taylor, Jeffrey Tobin, Deborah Wong, Elizabeth Wood, and B. J. Wray

“Presents interpretive interventions of a more localized, materially and institutionally anchored, and ultimately more specific and powerful nature.” —TDR/The Drama Review

من داخل الكتاب

 

الصفحات المحددة

المحتوى

PART 2 CONTESTING WHITE SPACES
37
PART 3 ACTING MANLY
93
PART 4 TALKING VULVAS AND OTHER BODY PARTS
169
PART 5 DECOMPOSING THE UNNATURAL
199
Contributors
215
Index
217
حقوق النشر

طبعات أخرى - عرض جميع المقتطفات

Decomposition: Post-Disciplinary Performance
<span dir=ltr>Sue-Ellen Case</span>‏,<span dir=ltr>Philip Brett</span>‏,<span dir=ltr>Susan Leigh Foster</span>‏
معاينة محدودة - 2000
Decomposition: Post-disciplinary Performance
<span dir=ltr>Sue-Ellen Case</span>‏,<span dir=ltr>Philip Brett</span>‏,<span dir=ltr>Susan Leigh Foster</span>‏
معاينة محدودة - 2000
Decomposition: Post-Disciplinary Performance
<span dir=ltr>Sue-Ellen Case</span>‏,<span dir=ltr>Philip Brett</span>‏,<span dir=ltr>Susan Leigh Foster</span>‏
لا تتوفر معاينة - 2000

عبارات ومصطلحات مألوفة

African African American album Argentine Argentine soccer artists Asian American audience avant-garde Banco de Gaia Black Artists Group black music Boca body Brecht Britten Chinese club contemporary critical critique cultural dance Dempsey Dempsey's Digital discourse Doris electronica English essay ethnic European fans female feminist Ferrier's film folksong Galeano gender heterosexual homosexual identity images imagine interview Japanese Jáuregui jazz Julius Hemphill kind koto lesbian listening live London Louis male Maradona Marks Miya Masaoka modern mother MURDER musicians Muslimgauze national team Oliver Lake opera Packard Bell Passarella performance Philip Brett play players political postmodern practices production queer racial Rainer representation Riverside roaches Routledge sample scene sexual Singapore soccer social society sodomy song sound space stage tactics Talking Vulva tion tradition trans University Press Unnatural Acts Veira visual voice vulva woman women World Saxophone Quartet Yayoi Kusama York

نبذة عن المؤلف (2000)

1) Sue-Ellen Case is Chair of the Department of Theatre and Dance at the University of California, Davis. She has authored and edited several books in the field of feminism and performance studies, including Feminism & Theatre; the Domain-Matrix: Performing Lesbian at the End of Print Culture; and Performing Feminisms.

2) Philip Brett is Distinguished Professor of Music at the University of California, Riverside. A leader in gay studies in musicology, he is co-editor of Queering the Pitch: The New Gay and Lesbian Musicology, and he has written extensively on the music of Benjamin Britten.

3) Susan Leigh Foster, choreographer, dancer, writer, is Professor of Dance at the University of California campuses of Riverside and Davis. She is author of Reading Dancing and Choreography and Narrative and editor of Choreographing History and Corporealities.

معلومات المراجع

العنوانDecomposition: Post-Disciplinary Performance
Unnatural Acts: Theorizing the Performative
المُحررونSue-Ellen Case, Philip Brett, Susan Leigh Foster
الناشرIndiana University Press, 2000
رقم ISBN (الرقم الدولي المعياري للكتاب)0253028205, 9780253028204
عدد الصفحات232 من الصفحات
  
تصدير الاقتباسBiBTeX EndNote RefMan