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and, when it comes from the mill, add 135 parts of lead. Stain to the above, 10 parts of glass, and 5 oz. of blue.

To prepare white enamel.

Take 7 oz. of arsenic, 12 do. potash, 6 do. nitre, 5 do. glass, 2 do. flint, and 3 do. white lead. To prepare china glaze.

Take 56 parts of stone, 46 do. borax, 18 do. glass, 15 do. flint, and 40 do. lead.

To prepare green edge glaze.

Take 20 parts of lead, 60 do. stone, 20 do. flint, and 10 do. ground glass.

To prepare materials for common ware. Take 25 parts of flint, 60 do. store, 95 do. lead,

and 8 do. frit.

To prepare glaze for green edge. Take 175 parts of lead, 100 do. stone, and 35 do. flint.

To prepare fluxes for blue printing. Take 5 parts of blue calx, 5 do. coak stone, 13 do. glass, and 1 do. flint.

To prepare flux for black printing.

To form a cane body.

Take 4 parts black marl, 2 do. Cornish stone and 1 do. cream-coloured clay.

To form a jasper body.

Take 3 parts coke stone, 2 do. Cornish do. do. blue clay, do. flint, and 1 dr. blue calx. To form a drab body.

Take 2 parts blue clay, 1 do. Čhina do. 3 dr, composition,do. Bradwell wood clay. To form a pearl body.

Take 6 parts Cornish stone, 2 do. Derbyshire clay, 1 do. flux. FLUX, 8 parts glass, 24 do. redlead. To form a stone body.

Take 2 parts blue clay, 2 do. china do. 4 do. composition.

To form an Egyptian black body. Take blue clay, 30 parts, black mari, 5 do. ealcined car, 25 do. manganese, 2 do.

To form a china body.

Take blue elay, 12 parts, china do. 6 do. bone, 12 do. Cornisu stone, 12 do. flint, 6 do. flint glass

Take 74 parts of flint glass, 24 do. red lead, and 2 do. 2 do. borax.

To prepare red flux.

Common glazing for earthen ware. Take of white sand, 40 lbs. red lead, 20 lbs.

Take 5 parts of lead, 1 oz. of borax, and 12 do. pearl ashes, 20 lbs. common salt, 12 lbs. Powder of glass.

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To prepare black.

the sand by grinding before it be mixed with the other ingredients, and then grind them together, after which, calcine them for some time with a moderate heat, which must be less than will make them melt and run to glass; and when the mixture is cold, grind it to powder again, and, when wanted, temper it with water, and it will then be fit for use.

The proportions of these ingredients may be varied occasionally, for, where the glazing can be fluxed conveniently with a very strong fire, the quantity of sand may be increased to 60 or 70 lbs. which not only renders the glazing stronger, but makes a saving in the expense. The proportion of pearl-ashes may likewise be diminished, or they may be wholly omitted where the ware is designed for very coarse purposes, and not for domestic uses, where the lead is very improper, being extremely apt to be corroded by acids, and to produce a very unwholesome substance. On this ac

Take 3 oz. of calcined umber, 1 do. borax: run count, where good manufactories are established, down together. This will fine with gold.

To prepare oil for black printing. Take half a pint of linseed oil, boiled well until of a proper consistence, to which add a small quantity of Barbadoes tar, prepared the same way.

Another.

the lead ought to be excluded from the composition of the glazings, and other fluxes used in its stead, as in the following:

Transparent glazing for earthenware. Take of white sand, 40 lbs. of pearl-ashes, 21 lbs. and of common salt, 15 lbs. Caleine, and proceed

Take 1 quart of linseed-oil, 4 oz. flowers of sul-as above. phur, 4 oz. balsam of sulphur, 8 oz. black rosin. To form a cream colour body.

Take 2cwt. blue clay, I do. black do. 3 qrs. flint, and 1 qr. Cornish stone.

To form another common body.

Where the expense is no object, this glazing may be improved by adding one or two pounds of bo rax, and diminishing the pearl-ashes, in the proportion of six pounds for one pound of borax ad¦ded, or ten pounds for two; in the latter case, twe

Take S evt. black clay, 9 do. brown do. £ do. ¦ pounds of salt may be also kept out of the compo blue do. 1 do, flint, 40 lbs. Cornish stone,

To form a blue printing body.

sition. The reason for this change is, that if the composition contain so large a proportion of salt,

Take 2 parts black clay, 2 brown do. 4 blue do. and the glazing be not fluxed for a long time after china do. 2 flint, and Cornish stone.

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it is laid on the ware, it will be apt to be dissolved by boiling water, and peel off, if it be exposed to ; the action of it for any long time.

Another.

Take of sand, 40 lbs. of wood ashes, perfectly burnt, 50 lbs. of pearl-ashes, 10 lbs. of common salt, 12lbs.

This will make an admirable glazing, where the ashes are pure, and a strong fire can be given to fius it when laid on the ware. It will be perfectly free from the imperfection of the above, and will be very hard and glossy, and where the expense i can be afforded, it may be mele more yielding w

the fire by the addition of borax, in which case no alteration need be made in the proportion of the other ingredients.

To prepare masticot used as the ground of glazing. Take of clean sand, one hundred weight; of soda, 44 lbs. and of pearl-ashes, 30 lbs. Calcine the mixture.

white ground, the colour will come forth and be
much whiter than that of the ground.
Yellow glazing.

Take of tin and antimony, each 2 lbs., of lead, 3 lbs., or, according to some, equal quantities of all the three ingredients. Calcine the whole, and put them at last in fusion, that they may be vitriThis is the Dutch method, but the soda not be-fied. This glazing will run very soon, and be of ing employed in this country, those who would use a fine yellow colour. masticot must increase the quantity of pearl-ashes in an equivalent proportion, and therefore 70 lbs. should be employed instead of the 30.

Masticot for white glazing.

Take of masticot, prepared as in the preceding, one hundred pounds, calx of tin, 80 lbs. and of common salt, 10 lbs. Calcine and powder this composition three several times.

The calcining the tin, lead, and antimony together, as here directed, would be a very tedious operation. The calcined tin, and red lead, should therefore be used, and the antimony calcined alone. Bet it is not to be understood that the antimony is to be calcined for this purpose to wh`eness, or the state of a perfect calx, which is not easily practicable without nitre, and, if effected, would renThe calx of tin is prepared and sold under the der the antimony incapable of producing any other name of putty. Its goodness consis in its white-colour than white. The operation must therefore ness and purity; the first of which is easily known by comparing it with a specimen of any that is known to be good.

Another preparation.

Take of mastic 10 lbs. red lead, 60 lbs. calcined tin or putty, 20 lbs. and of common salt, 10 lbs. Mix them, and calcine and powder the mixture several times.

Another.

Take 2 lbs. of lead, and somewhat more than 1 Ib. of tin. Calcine the two metals till reduced to a powder, by the means used by potters. Then take two parts of these ashes, one part of white sand, calcined flints, or broken white glass, and half a pint of common salt. Mix well together the several ingredients, and set the matter to bake in a proper furnace, and urge it at length to melt.

The trouble of calcining the tin and lead may be saved here, as well as on the occasions abovezmentioned, by procuring them already reduced to a proper state. Another.

Take 1 lbs. of lead, and 1 lb. of tin. Reduce them to the state of a calx, and then take of the calcined matter, 8 parts, and of calcined flints and common salt, each 4 parts. Bring the mixture, by heat, to a state of fusion.

Another.

Take of lead, 3 parts, and of tin, 1 part. Calcine them, and then take of this matter, and of calcined flints, and common salt, each 2 parts. Fuse them as above.

Another.

Take of lead, 4 lbs. tin, 1 lb. Caleine them, and take of the matter, 8 parts, of calcined flints, 7 parts, and of common salt, 4 parts. Fuse them as the others.

White glazing for copper vessels. Take of lead, 4 lbs., of tín, 1 lb., of flints, 4 lbs., of common salt, 1 lb., and of Venetian glass, 1 lb. Melt the mixture, and it will be fit for use. Another.

Take of lead, 4 lbs., and of tin, 1 lb. Calcine them, and take of the matter, 12 parts, of flints, 14 parts, and of common salt, 8 parts. Fuse them as the others.

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be performed with a slow fire, by roasting, as it were, the antimony till it lose its metallic appearance, and become a greenish powder, as is prac tised in making the glass of antimony.

Another.

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Take 16 parts of flints, 1 part of filings of iron, and 24 parts of litharge. Fuse the mixture. Lemon-coloured glazing.

Take of red lead, 3 parts, of powdered bricks, very red, 3 parts and a half, and of antimony, i part. Calcine the mixture day and night for the space of 4 days, in the ash-hole of a glass house furnace. Urge it at last to fusion, and it will produce a vet, fine lemon-coloured glazing.

The success of this operation depends greatly on the fineness of the colour of the bricks that are powdered. Those which are of a fine red, and very brittle, are the best; but such as are grey will not at all answer the end. The same attention should be paid to this matter, wherever bricks are used in these kinds of preparations.

Light yellow glazing.

Take of red-lead, 4 parts, of antimony, 3 parts, of the mixture of the cal.. es of lead and tin, be fore-mentioned in the masticot for white glazing, 8 parts, and of glass, 3 parts.

When the red-lead and calx of tin are used, the proportion of the ingredients will be, of red-lead, 10 parts, of antimony and glass, each 5 parts, and of calcined tin, 2 parts.

Gold-coloured glazing.

Take of red lead, 3 parts, of antimony, 2 parts, and of saffron of Mars, 1 part. Fuse the mixture, and, having powdered the mass, melt it again, and repeat this operation till the fourth time, and a fine gold-coloured yellow will be produced.

Any preparation of the calcined iron may be used in the place of the saffron of Mars, and the repeated fusions and levigations seem unnecessary.

Another.

Take of red lead and white flints, each 12 parts and of filings of iron, 1 part. Fuse them twice

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This glazing will be transparent. Care must therefore be taken what ground it be laid upon, or it will not answer the end of a yellow, but comoine with that of the ground; and, indeed, the body of colour is too weak to produce any other than a faint yellowish cast even on a pure white ground.

Green glazing to be laid on a white ground. Take of calcined copper, 1 part, and 2 parts of any of the preceding yellow glazings. Fuse them twice, but when the composition is used, it must not be laid on too thick, for that would render the|| colour too deep.

Fine green glazing.

Take of the Bohemian granite, 1 part, of filings of copper, 1 part, of red lead, 1 part, and of Venetian glass, 1 part. Fuse the whole, and it will afford a very fine green. But the mixture may be used without being previously melted. Fine blue glazing.

Chinese mode of glazing chína. They take the finest pieces of the petunse and treat them as before mentioned, by pounding and washing over; but extract by repeated washings over the very finest part of the powder, which keeps so moist with the water, that the mixture forms a liquid mass, which they call the oil of petunse. With this oil they mix an equal weight of borax, they then slake a quantity of quick lime, and form layers of that and dried furze; which they set on fire. When they have raised a large heap, after the first one is burnt to ashes; they collect them and the lime, and form layers of thera again, with a fresh quantity of the furze, which they burn as before, and they repeat this five or six times. They then put the ashes and lime into a vessel with water, adding some borax in the proportion of one pound to a hundred weight of the ashes; they rext wash over the finer part of this mixture, and pour off at last all fluid from the dregs, which they keep together with the solid part, washed over. They mix this composition of lime, ashes, and salts, with the mixture above mentioned, of an equal quantity of the oil of pe tunse and borax, and this compound forms the matter for glazing the ware..

Take of red lead, 1 lb. powdered flints, 2 lbs. common salt, 2 lbs. tartar, 1 lb. Calcine till it be almost white. White of Venetian glass, Ib. and Zaffre, lb. Fuse the whole mixture, and quench the melted mass in water. Repeat the same operation several times. The same proceeding must be adhered to in all the compositions where the Instead of the petunse, the spar of lead used in 1artar enters, otherwise they would be too much the Saxon manufacture may be employed for formcharged with salt, and the colour would not prove ing a similar glazing, by treating it in the same ane. It is proper, moreover, to calcine the mix- manner: and it is said, the glazing of the Dresden ture gently, day and night, for 48 hours, in a glass-china is actually made in this way. house furnace.

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Take pieces of white glass, and reduce them to an impalpable powder. Take afterwards, vitriol calcined to redness, or rather the caput mortuum which is left after the distillation of the oil of vitriol. Edulcorate the calcined vitriol, or caput mortuum, by washing with water to free it from the salts, and then mix as much of it as there may be occasion for with the powdered glass. By this means a very fine red will be obtained, that may be used for painting; after which the work must be burnt.

To prepare varnish for pottery ware, free from lead.

Melt and keep in fusion, for 15 minutes, a mixture of an oz. of fire-stone and pounded glass; 2 drachm of salt, half an oz. of pipe clay, and an oz. and a malf of borax. Varnish the pots over with this matter, after they have been in the fire, and put them again in it for about 18 hours.

Varnish for earthenware.

This varnish is made of equal parts of whiteglass and soda, finely pulver zed, carefully sifted, and mixed.

English glazing for china.

Take of the finest white sand, or calcined flints, 20 pounds; of red lead, 18 pounds; of pearl-ash, 10 pounds; and of common salt, decrepitated, pounds; levigate the sand or calcined flints and red lead well together; and afterwards mix them thoroughly with the pearl-ash and common salt, fuse the componnd in the manner directed for the treatment of glass, till it be perfectly vitrified. Then, separate the fragments of the pot carefully from it, and reduce it in a flat agate, or porphyry mortar, to an impalpable powder; finally temper it with water to the proper consistence for painting or glazing.

Modification of the above.

When this glazing is used for embossed, or other fine work, it should be mixed with a third of its weight of the spar of lead, or other vitrescent earth, in lieu of the petunse, in the composition of the ware paste. Take care that this earth is formed of the best pieces of spar, or other substance used: and that it is rendered to an extreme fineness, by washing over. The design of this addi tion is to weaken the fluxing powder of the glaze; which, if used alone, would run the corners and edges of the smaller part, and impair the sharpness and spirit of the work. It is necessary to pursue the same method with pieces that are to be painted with more delicate designs; for the glazing, melting otherwise again, in the burning in of the colours, would become too fluid, and spread them so as to take away the effect of the fine touches.

To glaze without lead.

M. Westrumb, a German chemist, in consequence of numerous experiments, has published the successful result of several compositions, in which not a particle of lead is employed, and which in his opinion will prove an useful glazing for ordinary vessels. First, 32 parts of sand; 11, 15, or 20 pans of purified potash; and from 3 to 5 parts of borax. Second, 32 parts of glass (we suppose flint-glass), 16 parts of borax, and 3 parts of pure potash. Third, 150 parts of crystallized Glauber's salt, with 8 parts of pulverized charcoal

previously roasted, till it has acquired a grey co- || litt, 10 of pearl-ashes, 40 of red lead, and 10 of lour; 16 parts of sand, and 8 parts of borax.

Another method of glazing without lead has been invented by a potter at Leipzig: it consists of half a pound of saltpetre, half a pound of potash, and 1 pound of common salt. This composition is not ve.y expensive, and is said to produce an enamel not inferior to that prepared with lead. To apply on every kind of hardware, colours which produce herborisations. Herborisations can be of all colours; but the most agreeable is that called bistre, which is composed in the following manner:

A pound of calcined manganese; 6 oz. of burnt iron straw, or a pound of iron ore; and 3 oz. of flint-powder.

The manganese and straw or iron ore must be pounded separately in a mortar, after which the whole is calcined together in an earthen-pot. This mixture, thus prepared, is all pounded together, and then mixed in a small tub of water.

The blue, green, and other colours must be composed of the divers substances known to produce them, and mixed, calcined, and pounded in the same manner as for the bistres.

To make the application of these various colours to the pieces, it is necessary, instead of diluting them with water, as is practised for ordinary painting, to make use of any kind of mordant. The most advantageous, and which are employed with the greatest success, are urine, and the essence of tobacco.

If the essence of tobacco is made use of, infuse 2 oz. of good tobacco in leaves, during 12 hours, in a bottle of cold water, or very simply infuse the 2 oz. of tobacco in a bottle of hot water.

The pieces of clay, after taking a little consistency, are steeped in white or coloured worm-seed, unt the bath puts them in a state of moisture. To produce herborisations, it will be sufficient, whilst the worm-seed is still fresh, and at the moment when the piece is taken down from the tub, to lay on slightly, and with a brush, one or several drops of other colours: each drop produces a tree more or less great, according as the workman has charged his brush with colours.

To ornament all kinds of glass in imitation of engraving, &c.

The method heretofore known for engraving on glass, has been by means of a machine with wheels, of different substances, which have been employed with sand, &c. to grind off some parts of the surface of the glass which is to be engraved on, and then by means of grinding and polishing different parts on the rough surface, the different figures are formed according to the designs given. By this invention, instead of grinding or taking off any part of the surface of the glass, the patentee lays on an additional surface or coating of glass, prepared for the purpose, which, when subjected to a proper degree of heat, will incorporate with the glass to be operated upon, so as to produce an effect similar to that which has hitherto been obtained by means of grinding. When it is required to ornament glass, then, previously to the heat being applied, with an etching or engraving tool, such parts are to be taken out as will produce the required effect, and that in a much superior way to the effect produced by the usual mode of grind ing, polishing, &c. The materials used are to be melted in a crucible, or other pot, and they are to be made up in the same manner as if used for the making of the best flint glass, broken glass, or, as it is usually denominate, "cullitt," being the principal ingredient in it. Several mixtures are giver, of which the first is, 160 parts of cul

arrence.

The second is, 120 parts of cullitt, 160 of rec lead, 60 of sand, and 60 of borax.

The third is, 70 parts of red lead, 22 of sand, and 410 of calcined borax,

When these are subjected to such a heat as to de thereby completely fused, take equal parts of eacn mixture, and grind them to an impalpable powder, for the purpose of being mixed with a menstruum proper for coating the glass.

The menstruum consists of one part of double refined loaf sugar, dissolved in two parts of pure water: to which is added, at the time of mixing the powder, about one-third part of common writing ink-the effect, we are told, produced by this addition of oxide of manganese, used in a small quantity by the glass-makers, in making their best flint-glass, because without such an addition the specimens would be of a cloudy or milky appearance. A quantity of this menstruum is used suthicient to render the ground-mixture of a proper consistence for laying on with a thin smooth surface. When the coating or mixture is thus pre pared, the glass is to be coated by means of a camel's hair brush, or squirrel's foot, &c. It is ther. to be exposed to a heat sufficient to produce a semivitrification of the coaty surface, and to incorporate it with the substance or body of glass so coated. But the heat must not be carried higher than this. because, in that case, a complete vitrification would ensue, and the desired effect of having a surface in imitation of the rough surface produce> by grinding, would not be obtained: the article must, under such circumstances, be re-coated, and submitted again to the fire. If, after the coating has been applied, any borders, cyphers, or othe: ornaments, are wanted to be executed thereon then, previously to the heat being applied with an etching or engraving tool, such parts of the coated surface must be chased out, as will produce the desired effect, after which the requisite degree of heat is to be applied.

This invention is not only applicable to al. kinds of useful and ornamental articles of glassware, on which the common methods of engraving have been practised, but may be applied to window glass and plate-glass of every description, ir. place of grinding, for the purpose of making window-blinds. It is also said to be peculiarly adopted to produce beautiful specimens of art, for the windows o altar-pieces, libraries, museums coach-windows, and for the glass used in ornamental buildings of all descriptions. This invention. has another advantage over the common method by the work wearing much cleaner than the work of ground glass; the surface of which being frac tured by the action of the wheel, &c. is therefore liable to gather dirt on the rough unpolished parts of the borders, &c.

To make the Bologna phial.

The Bologna, or philosophical phial, is a smal vessel of glass, which has been suddenly cooled, open at the upper end, and rounded at the bottom It is made so thick at the bottom, that it will bear a smart blow against a hard body, without break ing; but if a little pebble, or piece of Яint, is !et fall into it, it immediately cranks, and the bottom falls into pieces: but, unless the pebble or flint is large and angular enough to scratch the surface of the glass, it will not break.

To make Prince Rupert's drops. Prince Rupert's drops are inade by letting drops of melted glass fall into cold water; the drop assumes by that means an oval form with a tail o neck resembling a retort. They possess this sin

gular property, that if a small portion of the tail is broken off, the whole bursts into powder, with an explosion, and a considerable shock is communicated to the hat that grasps it.

To break gauss in any required way. Dip a piece of worsted thread in spirits of turpentine, wrap it round the glass in the direction

required to be broken, and then set fire to the thread, or apply a red hot wire round the glass, and if it does not immediately crack, throw cold water on it while the wire remains hot. By this means glass that is broken may often be fashioned and rendered useful for a variety of purposes.

GLASS.

To manufacture glass.

Glass is a combination of sand, flint, spar, or some other silicious substances, with one or other of the fixed alkalies, and in some cases with a metallic oxide. Of the alkalies, soda is commonly preferred; and of the silicious substances, white sand is most in repute at present, as it requires no preparation for coarse goods, while mere washing in water is sufficient for those of a finer quality. The metallic oxide, usually employed, is litharge, or some other preparation of lead, as being the cheapest metal."

The silicious matter should be fused in contact with something called a flux. The substances proper for this purpose are lead, borax, arsenic, nitre, or any alkaline matter. The lead is used in the state of red lead; and the alkalies are soda, pearlashes, sea-salt, and wood-ashes. When red lead is used alone, it gives the glass a yellow cast, and requires the addition of nitre to correct it. Arsenic, in the same manner, if used in excess, is apt to render the glass milky. For a perfectly transparent glass, the pearl-ashes are found much superior to lead; perhaps better than any other flux, except it be borax, which is too expensive to be used, except for experiments, or for the best looking-glasses.

The materials for making glass must first be reduced to powder, which is done in mortars or by horse mills. After sifting out the coarse parts, the proper proportions of si.ex and flux are mixed togetier, and put into the calcining furnace, where they are kept in a moderate heat for 5 or 6 hours, being frequently stirred about during the process. When taken out, the matter is called frit. Frit is easily converted into glass by only pounding it, and vitrifying it in the melting pots of the glass furnace; but in making fine glass, it will sometimes require a small addition of flux to the frit to correct any faut. For, as the flux is the most expensive article, the manufacturer will rather put too little at first than otherwise, as he can remedy this defect in the melting pot. The heat in the furnace must be kept up until the glass is brought to a state of perfect fusion; and during this process any scum which arises must be removed by ladies. When the glass is perfectly melted, the glass-blowers commence their operations.

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This requires a long heating to make clear glass, and the heat should be brought on gradually, or the arsenic is in danger of subliming before the fusion commences. A still cheaper composition is made by omitting the arsenic in the foregoing, and substituting common sea-salt.

For the best German crystal glass, take 120 los. of calcined flints or white sand, the best pearlashes, 70 lbs. saltpetre, 10lbs. arsenic, Ib. and 5 oz. of magnesia. Or, a cheaper composition for the same purpose is 120 lbs. of sand or flints, 46 lbs. of pearl-ashes, 7 lbs. of nitre, 6lbs. of arsenic, and 5 oz. of magnesia. This will require a long continuance in the furnace; as do all others where much of the arsenic is employed.

For looking-glass plates, washed white sand, 60 Ibs. purified pearl-ashes, 25 lbs. nitre, 15 lbs. and 7 lbs. of borax. If properly managed, this glass will be colourless. But if it should be tinged by accident, a trifling quantity of arsenic, and an equal quantity of magnesia, will correct it; an ounce of each may be tried first, and the quantity increased if necessary.

The ingredients for the best crown-glass must be prepared in the same manner as for lookingglasses, and mixed in the following proportions: 60 lbs. of white sand, 30 lbs. of pearl-ashes, and 15 lbs. of nitre, 1 lb. of borax, and half a pound of arsenic.

The composition for common green window glass is, 120 lbs. of white sand, 30 lbs. of unpuri fied pearl-ashes, wood-ashes, well burnt and sifted 60 lbs. common salt, 20 lbs. and 5 lbs. of arsenic

Common green bottle-glass is made from 200 lbs. of wood-ashes, and 100 lbs. of sand; or 170 lbs. of ashes, 100 lbs. of sand, and 50 lbs. of the lays of an iron furnace: these materials must be wel mixed.

The materials employed in the manufactory of glass are by chemists reduced to three classes, namely, alkalies, earths, and metallic oxides.

The fixed alkalies may be employed indifferently; but soda is preferred in this cou..try. The soda of commerce is usually mixed with common salt, and combined with carbonic acid. It is proper tu purify it from both of these foreign bodies before using it. This, however, is seldom done.

The earths are silica (the basis of flints), lime, and sometimes a little alumina (the basis of clay) Silica constitutes the basis of glass. It is employ

For the best flint-glass, 120 lbs. of white sand, 50 lbs. of red lead, 40 lbs. of the best pearl ashes, 20 lbs. of nitre, and 5 oz. of magnesia; if a pounded in the state of fine sands or flints: and some or two of arsenic be added, the composition will fuse much quicker, and with a lower tempera-employed. When sand is used, it ought, if possi

ture.

For a cheaper flint-glass, take 120 lbs. of white sand, 35 lbs. of pearl-ashes, 40 lbs. of red lead, 13 lbs. of nitre, 6 lbs. of arsenic, and 4 oz. of magnesia.

times, for making very fine glass, rock crystals are

ble, to be perfectly white, for when it is coloured with metallic oxides, the transparency of the glass is injured. Such sand can only be employed for very coarse glasses. It is necessary to free the sand from all the loose earthy particles with which

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