The Lives of the Most Eminent English Poets;: With Critical Observations on Their Works, المجلد 2
C. Bathurst, J. Buckland, W. Strahan, J. Rivington and Sons, T. Davies, T. Payne, L. Davis, W. Owen, B. White, S. Crowder, T. Caslon, T. Longman, B. Law, C. Dilly, J. Dodsley, J. Wilkie, J. Robson, J. Johnson, T. Lowndes, G. Robinson, T. Cadell, J. Nichols, E. Newbery, T. Evans, P. Elmsly, R. Baldwin, G. Nicol, Leigh and Sotheby, J. Bew, N. Conant, W. Nicoll, J. Murray, S. Hayes, W. Fox, and J. Bowen., 1783
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action Addison afterwards appears better called censure character collection common compositions considered conversation criticism death dedication desired Dryden duke earl easily effect elegant English excellence expressed fame favour fays force formed friends genius give given hands hundred interest Italy kind king knew knowledge known language learning least leave less lines lived lord manner means ment mentioned mind nature never observed occasion once opinion original pass passions performance perhaps person play pleased poem poet poetical poetry Pope praise preface present probably produced publick published raised reader reason received remarks rhyme scenes seems sent shew sometimes stage Steele success supposed thing thought tion told tragedy translation true verses whole write written wrote
الصفحة 426 - I never heard of the man in my life, yet I find your name as a subscriber. He is too grave a poet for me; and I think among the Mediocrists, in prose as well as verse.
الصفحة 167 - Works of imagination excel by their allurement and delight ; by their power of attracting and detaining the attention. That book is good in vain, which the reader throws away. He only is the master, who keeps the mind in pleasing captivity; whose pages are perused with eagerness, and in hope of new pleasure are perused again ; and whose conclusion is perceived with an eye of sorrow, such as the traveller casts upon departing day.
الصفحة 418 - What he attempted, he performed ; he is never feeble, and he did not wish to be energetic ; he is never rapid, and he never stagnates. His sentences have neither studied amplitude, nor affected brevity ; his periods, though not diligently rounded, are voluble and easy. Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison.
الصفحة 362 - Tories in the last reign ; an act of authority violent enough, yet certainly legal, and by no means to be compared with that contempt of national right with which, some time afterwards, by the instigation of Whiggism, the Commons, chosen by the people for three years, chose themselves for seven.
الصفحة 346 - This, says Pope *, had been tried for the first time in favour of the Distrest Mother; and was now, with more efficacy, practised for Cato. The danger was soon over. The whole nation was at that time on fire with faction. The Whigs applauded every line in which liberty was mentioned, as a satire on the Tories ; and the Tories echoed every clap, to show that the satire was unfelt.
الصفحة 146 - FROM harmony, from heavenly harmony, This universal frame began : When nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, Arise, ye more than dead. Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony This universal frame began : From harmony to harmony, Through all the compass of the notes it ran, The diapason closing full in Man.
الصفحة 186 - Perhaps no nation ever produced a writer that enriched his language with such variety of models. To him we owe the improvement, perhaps the completion, of our metre, the refinement of our language, and much of the correctness of our sentiments.
الصفحة 110 - Of him that knows much, it is natural to suppose that he has read with diligence; yet I rather believe that the knowledge of Dryden was gleaned from accidental intelligence and various conversation, by a quick apprehension, a judicious selection, and a happy memory, a keen appetite of knowledge, and a powerful digestion...
الصفحة 112 - They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled: every word seems to drop by chance, though it falls into its proper place. Nothing is cold or languid; the whole is airy, animated, and vigorous; what is little, is gay; what is great, is splendid.
الصفحة 206 - Whether our English audience have been pleased hitherto with, acorns, as he calls it, or with bread, is the next question ; that is, whether the means which Shakspeare and Fletcher have used in their plays to raise those passions before named, be better applied to the ends by the Greek poets than by them.