Johnson on ShakespeareOxford University Press, 1908 - 208 من الصفحات |
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الصفحة vii
... mind . When he first thought of editing Shakespeare , he believed that he had only Rowe and Pope and Theobald to contend with and to supersede . Then , while his notes on Macbeth were in the press , Hanmer's edition appeared , and it ...
... mind . When he first thought of editing Shakespeare , he believed that he had only Rowe and Pope and Theobald to contend with and to supersede . Then , while his notes on Macbeth were in the press , Hanmer's edition appeared , and it ...
الصفحة xi
... mind . He that runs against time has an antagonist not subject to casualties . ' Something steadier and more habitual than the fervour of the projecting imagination is required to carry through a long piece of editorial work . This more ...
... mind . He that runs against time has an antagonist not subject to casualties . ' Something steadier and more habitual than the fervour of the projecting imagination is required to carry through a long piece of editorial work . This more ...
الصفحة xiv
... ' , has nothing but emphasis to com- mend it . Its author was the inventor of that other tedious paradox , that Johnson's mind was a strange composite of giant powers and low prejudices.1 A wiser man xiv INTRODUCTION.
... ' , has nothing but emphasis to com- mend it . Its author was the inventor of that other tedious paradox , that Johnson's mind was a strange composite of giant powers and low prejudices.1 A wiser man xiv INTRODUCTION.
الصفحة xxviii
... minds for ever as an inseparable concomitant with Shakespeare ? A kindred mind ! ' It is a strange kind of heresy that is the fixed belief of two such critics as Johnson and Lamb . But let it be a heresy ; one of the chief fascinations ...
... minds for ever as an inseparable concomitant with Shakespeare ? A kindred mind ! ' It is a strange kind of heresy that is the fixed belief of two such critics as Johnson and Lamb . But let it be a heresy ; one of the chief fascinations ...
الصفحة 5
... minds with conviction , nor even the same mind at different times ; and therefore , though perhaps many alterations may be proposed as eligible , very few will be obtruded as certain . In a language so ungrammatical as the English , and ...
... minds with conviction , nor even the same mind at different times ; and therefore , though perhaps many alterations may be proposed as eligible , very few will be obtruded as certain . In a language so ungrammatical as the English , and ...
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عبارات ومصطلحات مألوفة
action allusions Atalanta authour beauty Berkeley Caliban CALIFORNIA LIBRARY censure character comedy comick common conjecture considered copies Coriolanus corrupt criticism death dialogue diction dignity discover doth drama Duke easily edition editor elegance emendation enchantment endeavoured English excellence exhibited expression Falstaff faults foll Guy of Warwick Hamlet heart Henry VI honour human imagination imitation incidents Johnson judicial Astrology KING HENRY KING JOHN knowledge labour lady language learned Macbeth manner meaning merriment mind nature never night notes numbers Oberon obscure observed opinion Othello passage passions pathetick perhaps play pleasure poet Pope praise produce propriety publick quarto reader reason Richard RICHARD II ridicule says SCENE ii SCENE viii seems sense sentiment Shakespeare shew sometimes speech Spirits story sufficient suppose Tatler Theobald things thou thought tion tragedy truth UNIVERSITY OF CALIFORNIA virtue Voltaire Warburton words writers
مقاطع مشهورة
الصفحة 16 - In the writings of other poets a character is too often an individual: in those of Shakespeare it is commonly a species.
الصفحة 19 - ... the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveler is hasting to his wine, and the mourner burying his friend...
الصفحة 16 - Yet his real power is not shown in the splendour of particular passages, but by the progress of his fable and the tenor of his dialogue ; and he that tries to recommend him by select quotations will succeed like the pedant in Hierocles, who, when he offered his house to sale, carried a brick in his pocket as a specimen.
الصفحة 18 - Shakespeare has no heroes; his scenes are occupied only by men, who act and speak as the reader thinks that he should himself have spoken or acted on the same occasion : even where the agency is supernatural, the dialogue is level with life.
الصفحة 16 - His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they are the genuine progeny of common humanity, such as the world will always supply, and observation will always find.
الصفحة 14 - What mankind have long possessed they have often examined and compared, and if they persist to value the possession, it is because frequent comparisons have confirmed opinion in its favour.
الصفحة 28 - A quibble is to Shakespeare, what luminous vapours are to the traveller; he follows it at all adventures, it is sure to lead him out of his way, and sure to engulf him in the mire. It has some malignant power over his mind, and its fascinations are irresistible.
الصفحة 21 - ... poetry. This reasoning is so specious, that it is received as true even by those who in daily experience feel it to be false. The interchanges of mingled scenes seldom fail to produce the intended vicissitudes of passion. Fiction cannot move so much, but that the attention may be easily transferred ; and though it must be allowed that pleasing melancholy be sometimes interrupted by unwelcome levity, yet let it be considered likewise, that melancholy is often not pleasing, and that the disturbance...
الصفحة 32 - If there be any fallacy, it is not that we fancy the players, but that we fancy ourselves unhappy for a moment ; but we rather lament the possibility than suppose the presence of misery, as a mother weeps over her babe, when she remembers that death may take it from her. The delight of tragedy proceeds from our consciousness of fiction ; if we thought murders and treasons real, they would please no more.
الصفحة 18 - This, therefore, is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination in following the phantoms which other writers raise up before him may here be cured of his delirious ecstasies by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world and a confessor predict the progress of the passions.