ما يقوله الناس - كتابة مراجعة
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الصفحة 201 - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless, and grand : His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
الصفحة 212 - Italy at the end of the 15th and the beginning of the 16th centuries, in the days of Alexander VI., Julius II., and Leo X.
الصفحة 197 - Genius is chiefly exerted in historical pictures ; and the art of the painter of portraits is often lost in the obscurity of his subject. But it is in painting as in life, what is greatest is not always best. I should grieve to see Reynolds transfer to heroes and to goddesses, to empty splendour and to airy fiction, that art which is now employed in diffusing friendship, in...
الصفحة 200 - By sports like these are all their cares beguiled, The sports of children satisfy the child...
الصفحة 196 - Whatever merit they have, must be imputed, in a great measure, to the education which I may be said to have had under Dr. Johnson. I do not mean to say, though it certainly would be to the credit of these Discourses, if I could say it with truth, that he contributed even a single sentiment to them; but he qualified my mind to think justly.
الصفحة 46 - European warriors. I answered that the event to be commemorated happened in the year 1758, in a region of the world unknown to the Greeks and Romans, and at a period of time when no warriors who wore such costume existed. The subject I have to represent is a great battle fought and won, and the same truth which gives law to the historian should rule the painter.
الصفحة 111 - The answer is obvious: those great masters who have travelled the same road with success are the most likely to conduct others. The works of those who have stood the test of ages, have a claim to that respect and veneration to which no modern can pretend. The duration and stability of their fame is sufficient to evince that it has not been suspended upon the slender thread of fashion and caprice, but bound to the human heart by every tie of sympathetic approbation.
الصفحة 193 - His sitter's chair moved on castors, and stood above the floor a foot and a half ; he held his palettes by a handle, and the sticks of his brushes were eighteen inches long. He wrought standing, and with great celerity. He rose early, breakfasted at nine, entered his study at ten/ examined designs or touched unfinished portraits till eleven brought a sitter; painted till four; then dressed, and gave the evening to company.