PAGE 264. Vengeance and Good-morrow to you both, Act 11. 4 [how this becomes the house]. 268. See the little dogs, Act 11. 6. Let them anatomise Regan, Act 11. 6. Nothing but his unkind daughters, Act 111. 4. Come on, sir, Act iv. 6. full circle home, Act v. 3. 269. Shame, ladies, Act 1v. 3. Alack, 'tis he, Act iv. 4. How does my royal lord, Act iv. 7. We are not the first, Act v. 3. 270. And my poor fool, Act v. 3. Vex not his ghost, Act v. 3 [this tough world]. Approved of by Dr. Johnson. See Malone's Shakespeare, vol. x. p. 290. The Lear of Shakespear. See Lamb's Miscellaneous Essays, ed. Ainger, 1884, 271. [For that rich sea read that sea.) a.] RICHARD II. 273. How long a time, Act 1. 3. sighed his English breath, Act 111. I. The language I have learnt, Act 1. 3. is hung armour, Wordsworth's Sonnet, It is not to be thought of (1802). If that thy valour, Act Iv. 1 [Till thou the lie-giver and that lie do lie]. 275. This royal throne of kings, Act 11. 1 [fear'd by their breed and famous by their birth... the envious seige]. 276. Ourself and Bushy, Act 1. 4. I thank thee, Act 11. 3. O that I were a mockery king, Act Iv. 1. it yearned his heart, Act v. 5. My lord, you told me, Act v. 2 [scowl on gentle Richard]. HENRY IV. 278. we behold the fulness. Cf. Col. ii. 9. lards the lean earth. 1 King Henry IV., Act 11. 2. into thin air. The Tempest, Act iv. 1. three fingers [omit deep], Act iv. 2. it snows of meat and drink. Canterbury Tales, Prologue, 345. ascends me into the brain, Part II. Act iv. 3. a tun of man, Part I. Act n. 4. 279. open, palpable, Part I. Act 11. 4 [like their father that begets them; gross as a mountain, open, palpable]. By the lord, Part I. Act 1. 2. 280. But Hal, Part I. Act 1. 2. who grew from four [two] men, Part I. Act 11. 4. 281. Harry, I do not only marvel, Part I. Act n. 4 [purses? a question to be asked]. PAGE 282. What is the gross sum and Marry, if thou wert an honest man, Part II. Act II. I. 283. Would I were with him. Henry V., Act 11. 3. turning his vices [diseases], Part II. Act 1. 2. their legs, Part II. Act 11. 4. a man made after supper and Would, cousin Silence, Part II. Act III. 2. I did not think Master Silence, in some authority, and You have here, Part II. 284. When on the gentle Severn's sedgy bank and By heaven [honour from the palefaced moon], Part I. Act 1. 3. And God forbid, Act 1. 2. 288. the ill neighbourhood, For once the eagle England, and For government [the act of order], Act 1. 2. 289. rich with [omit his] praise, Act 1. 2. O hard condition, Act Iv. 1. 290. The Duke of York, Act iv. 6. 291. some disputations, Act 111. 2. HENRY VI. 292. flat and unraised. King Henry V., Act I., Chorus. Glory is like a circle, Part I. Act 1. 2. yet tell'st thou not, Part I. Act 1. 4. 293. Aye, Edward will use women honourably, Part III. Act 11. 2. We have already observed. paragraph. 294. The characters and situations. See note to p. 200 for the source of this The material between these words and disappointed ambition (p. 297) formed part of an article by Hazlitt in The Examiner (see note to p. 200). Edward Plantagenet, Part III. Act 11. 2. mock not my senseless conjuration. Richard II., Act 111. 2 [foul rebellion's arms lift shrewd steel God for his Richard]. ... 295. But now the blood. Richard II., Act 11. 2. cheap defence. Cf. Burke: Reflections on the Revolution in France, the cheap defence of nations.' Awake, thou coward majesty [twenty thousand names] and Where is the duke. 296. what must the king do now. Richard II., Act III. 3. This battle fares, Part III. Act 11. 5. 297. had staggered his royal person. Richard II., Act v. 5. PAGE RICHARD III. 298. the character in which Garrick came out. David Garrick (1717-1779) appeared, October 19, 1741, at the theatre in Goodman's Fields. the second character in which Mr. Kean appeared. Edmund Kean (17871833) appeared at Drury Lane as Shylock, January 26, 1814, on February Ist as Shylock, on February 12th as Gloster in Richard III. See Some Account of the English Stage, Genest, vol. viii. pp. 407-408, 1832. See also Hazlitt's A View of the English Stage. But I was born, Act 1. 3. 299. Cooke. George Frederick Cooke (1756-1811) acted Richard III. at Covent Garden on September 20, 1809. See Genest's Some Account of the English Stage, viii. p. 178. 300. Sir Giles Overreach, in Massinger's A New Way to Pay Old Debts (1620-33). For Hazlitt's criticism of Kean's acting in this and the other characters referred to in the same paragraph see his A View of the English Stage. Oroonoko, or the Royal Slave. A play (1696) by Thomas Southerne (1660/11746) founded on a novel of Aphra Behn's (1640-1689). Cibber. See note to p. 157. 301. bustle in, Act 1. 1. they do me wrong, Act 1. 3 [speak fair]. I beseech your graces, Act 1. I. 302. Stay, yet look, Act iv. I [rude, ragged nurse]. Dighton and Forrest, Act iv. 3. HENRY VIII. 303. Nay, for sooth, Act 111. 1. Dr. Johnson observes, Malone's Shakespeare, vol. xix. p. 498. 304. Farewell, a long farewell, Act 1. 2. him whom of all men, Act iv. 2. while her grace sat down, Act IV. I. 305. No maid could live near such a man. Mr. P. A. Daniel suggests that by a slip this remark has been said of Shakespeare instead of Henry VIII. The emendation would make the paragraph read thus: "It has been said of him [i.e. Henry VIII.] "No maid could live near such a man." It might with as good reason be said of Shakespear-"No king could live near such a man." the best of kings. A phrase applied to Ferdinand VII. of Spain in official documents. See The Examiner, September 25, 1814, where the words are ironically italicised. that love of misery and Oh father Cardinal, Act 111. 4. 311. Aliquando. Ben Jonson's Discoveries, LXIV., De Shakespeare Nostrati. 314. high fantastical, Act 1. 1. Wherefore are these things hid, Act 1. 3. rouse the night-owl and Dost thou think, Act 11. 3. we cannot agree with Dr. Johnson. See Dr. Johnson's Preface, before cited, P. 71. 315. What's her history, Act 11. 4. Oh, it came o'er the ear, Act 1. I [the sweet sound]. They give a very echo, Act 11. 4. Blame not this haste, Act iv. 3. 316. O fellow, come, Act II. 4. Here comes the little villain, Act 11. 5 [drawn from us with cars]. THE TWO GENTLEMEN OF VERONA 318. It is observable. The note is by Pope. See Malone's Shakespeare, vol. iv. p. 3. See Malone's Shakespeare, Pope's note is to Act 1. 1. This whole scene. vol. iv. p. 13. Why, how know you, Act 11. 1. 319. I do not seek, Act 11. 7. The river wanders [glideth] at its [his] own sweet will. And sweetest Shakespear. L'Allegro, lines 133-134. [Or sweetest Shakespeare ... Sonnet composed upon Warble THE MERCHANT OF VENICE 320. Mr. Cumberland. Richard Cumberland (1732-1811), dramatist. baited with the rabble's curse. Macbeth, Act v. 8. a man no less sinned against. Cf. King Lear, Act 111. 2. the lodged hate, Act iv. I. milk of human kindness. Macbeth, Act 1. 5. Jewish gaberdine, Act 1. 3. lawful, Act IV. I. on such a day, Act 1. 3. 321. I am as like, Act 1. 3. To bait fish withal, Act II. 1. What judgment, Act iv. I. 322. I would not have parted, Act III. I. I hold the world, Act 1. 1. PAGE 323. How sweet the moonlight, Act v. 1. Bassanio and old Shylock, Act iv. I. 324. 'Tis an unweeded garden. Hamlet, Act 1. 2 [things rank, and gross in nature, possess it merely]. THE WINTER'S TALE 324. We wonder that Mr. Pope. See Pope's Preface, Malone's Shakespeare, vol. i. P. 15. Ha' not you seen, Act 1. 2. 325. Is whispering nothing? Act 1. 2. 326. Thou dearest Perdita, Act iv. 4. 329. Even here undone, Act iv. 4. ALL'S WELL THAT ENDS WELL 330. Oh, were that all, Act 1. I. The soul of this man, Act 11. 5. the bringing off of his drum, Act 111. 6 and Act iv. I. 331. Is it possible, Act Iv. 1. Yet I am thankful, Act iv. 3. Frederigo Alberigi and his Falcon, Boccaccio's Decameron, 5th day, 9th story. 332. the story of Isabella. Id., 4th day, 5th story. Tancred and Sigismunda. İd., 4th day, 1st story. See also Dryden's Sigismonda Honoria. Id., 5th day, 8th story. See also Dryden's Theodore and Honoria. Jeronymo. Id., 4th day, 8th story. the two holiday lovers. Id., 4th day, 7th story. LOVE'S LABOUR'S LOST 332. the golden cadences of poesy, Act iv. 2. set a mark of reprobation, Pope's note to The Two Gentlemen of Verona. Malone's Shakespeare, vol. iv. p. 13. 333. as too picked, Act v. 1. as light as bird from brake [brier]. A Midsummer Night's Dream, Act v. I. O! and I forsooth, Act II. I [a humorous sigh . . . This senior-junior]. 334. Oft have I heard, Act v. 2 [your fruitful brain]. the words of Mercury, Act v. 2. MUCH ADO ABOUT NOTHING 335. Oh, my lord, Act 1. 1. No, Leonato, Act. iv. I. 336. She dying, Act iv. 1 [the idea of her life]. For look where Beatrice and What fire is in mine ears, Act II. 1. |