The Collected Works of William Hazlitt, المجلد 1J.M. Dent & Company, 1902 |
من داخل الكتاب
النتائج 1-5 من 48
الصفحة 38
... impression in his descriptions of the objects of the other senses . Milton had as much of what is meant by gusto as any poet . He forms the most intense conceptions of things , and then embodies them by a single stroke of his pen ...
... impression in his descriptions of the objects of the other senses . Milton had as much of what is meant by gusto as any poet . He forms the most intense conceptions of things , and then embodies them by a single stroke of his pen ...
الصفحة 42
... impressions ; it emanates most directly from our immediate or habitual feelings ; it is that which stamps its life and character on any action ; the rest may be performed by an automaton . What is it that makes the difference between ...
... impressions ; it emanates most directly from our immediate or habitual feelings ; it is that which stamps its life and character on any action ; the rest may be performed by an automaton . What is it that makes the difference between ...
الصفحة 43
... impressions more freely . The interchange of ideas costs them less . Their constitutional gaiety is a kind of natural intoxication , which does not require any other stimulus . The English are not so well off in this respect ; and ...
... impressions more freely . The interchange of ideas costs them less . Their constitutional gaiety is a kind of natural intoxication , which does not require any other stimulus . The English are not so well off in this respect ; and ...
الصفحة 73
... impressions besides those of sight . The charm of the Fine Arts , then , does not consist in any thing peculiar to imitation , even where only imitation is concerned , since there , where art exists in the highest perfection , namely ...
... impressions besides those of sight . The charm of the Fine Arts , then , does not consist in any thing peculiar to imitation , even where only imitation is concerned , since there , where art exists in the highest perfection , namely ...
الصفحة 77
... impression on the sense , distinct from every other object , and having something divine in it , which the heart owns and the imagination consecrates , the objects in the picture preserve the same impression , absolute , unimpaired ...
... impression on the sense , distinct from every other object , and having something divine in it , which the heart owns and the imagination consecrates , the objects in the picture preserve the same impression , absolute , unimpaired ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
actor admiration affections answer Antony Apemantus appears beauty Beggar's Opera Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dream equal excited eyes Falstaff fame fancy favourite fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt heart heaven Henry honour human Iago idea imagination indifference instance interest Juliet Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner means MIDSUMMER NIGHT'S DREAM mind moral nature never objects opinion Othello painted painter Paradise Lost passage passion persons picture play pleasure poet poetry Prince principle reason refined Regan Richard Richard II Romeo ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit style sweet sympathy taste Tatler thee thing thou art thought tion Titian tragedy true truth whole William Hazlitt words writer
مقاطع مشهورة
الصفحة 360 - When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope...
الصفحة 295 - Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground? Our lands, our lives, and all are Bolingbroke's, And nothing can we call our own but death, And that small model of the barren earth Which serves as paste and cover to our bones.
الصفحة 269 - And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you and know this man; Yet I am doubtful; for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For, as I am a man, I think this lady To be my child Cordelia.
الصفحة 348 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod ; and the delighted spirit To bathe in fiery floods...
الصفحة 235 - Makes mouths at the invisible event, Exposing what is mortal, and unsure To all that fortune, death and danger dare, Even for an egg-shell.
الصفحة 222 - And make a sop of all this solid globe: Strength should be lord of imbecility, And the rude son should strike his father dead: Force should be right; or rather, right and wrong, Between whose endless jar justice resides, Should lose their names, and so should justice too. Then...
الصفحة 197 - Would he were fatter: — But I fear him not. Yet if my name were liable to fear, I do not know the man I should avoid So soon as that spare Cassius. He reads much ; He is a great observer, and he looks Quite through the deeds of men...
الصفحة 253 - Romeo: and when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun.
الصفحة 275 - This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings, Fear'd by their breed and famous by their birth, Renowned for their deeds as far from home, For Christian service and true chivalry, As is the sepulchre in stubborn Jewry Of the world's ransom, blessed Mary's Son, This land of such dear souls, this dear dear land, Dear for her reputation through the world...
الصفحة 252 - Thou mayst prove false: at lovers' perjuries, They say, Jove laughs. O gentle Romeo ! If thou dost love, pronounce it faithfully: Or if thou think'st I am too quickly won, I'll frown and be perverse and say thee nay, So thou wilt woo; but else, not for the world. In truth, fair Montague, I am too fond; And therefore thou mayst think my 'haviour light: But trust me, gentleman, I'll prove more true Than those that have more cunning to be strange.