Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four
Addresses the band’s resounding impact on how we think about gender, popular culture, and the formal and poetic qualities of music.
Despite the enormous amount of writing devoted to the Beatles during the last few decades, the band’s abiding intellectual and cultural significance has received scant attention. Using various modes of literary, musicological, and cultural criticism, the essays in Reading the Beatles firmly establish the Beatles as a locus of serious academic and cultural study. Exploring the group’s resounding impact on how we think about gender, popular culture, and the formal and poetic qualities of music, the contributors trace not only the literary and musicological qualities of selected Beatles songs but also the development of the Beatles’ artistry in their films and the ways in which the band has functioned as a cultural, historical, and economic product. In a poignant afterword, Jane Tompkins offers an autobiographical account of the ways in which the Beatles afforded her with the self-actualizing means to become less alienated from popular culture, gender expectations, and even herself during the early 1960s.
At the Pennsylvania State University at Altoona, Kenneth Womack is Interim Associate Dean for Academic Affairs, and Todd F. Davis is Associate Professor of English. Together they authored The Critical Response to John Irving and Formalist Criticism and Reader-Response Theory, and edited Mapping the Ethical Turn: A Reader in Ethics, Culture, and Literary Theory. Davis is also the author of Kurt Vonnegut’s Crusade; or, How a Postmodern Harlequin Preached a New Kind of Humanism, also published by SUNY Press.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
1 I am he as you are he as you are me and we are all together Bakhtin and the Beatles
Formal Structure in the Music of the Beatles
3 Love love love Representations of Gender and Sexuality in Selected Songs by the Beatles
The Beatles Exploration of Timbre
The Beatles on Film
Tomorrow Never Knows and the Coherence of the Impossible
Death Loss and the Crowd in Sgt Peppers Lonely Hearts Club Band
The Beatles and Questions of Mass and High Culture
Tourism Pilgrimage and the Beatles
The Beatles Ideology and the Cultural Moment
Lennon McCartney and Museum Politics
I Want to Hold Your Hand
Postmodern Politics and the Beatles White Album
طبعات أخرى - عرض جميع المقتطفات
AABA Anthology appearance artistic attempt band band’s bass Beatles become beginning bridge celebrity chord chorus color continued contrast course cover created critics crowd culture death early effect example exhibit experience fans feel final formal four George girl guitar Hard Day’s Night Harrison Help idea individual interest John John’s kind later lead leave Lennon listener lives London marked McCartney McCartney’s meaning narrative offers opening Paul Paul’s Pepper performance perhaps play political popular present production provides record reference release Revolver Road rock roll seems sense singing single solo song song’s Soul sound spectacle story style suggests things tion Tomorrow Never Knows Tour track turn verse vocal voice White Album writes