American Monthly Knickerbocker, المجلد 271846 |
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الصفحة 2
... characters , can they exist in fact or in fancy , pos- sessing at once all the ferocity of savages and all the gentleness of refined and highly intellectual beings ; scowling defiance in the face of God , yet looking with fondest love ...
... characters , can they exist in fact or in fancy , pos- sessing at once all the ferocity of savages and all the gentleness of refined and highly intellectual beings ; scowling defiance in the face of God , yet looking with fondest love ...
الصفحة 6
... character and this purpose , poets have usually been optimists , believing in the perfectibility and aiming to produce the ultimate perfection of our race . Therefore they are always bodying forth conceptions which carry physical , or ...
... character and this purpose , poets have usually been optimists , believing in the perfectibility and aiming to produce the ultimate perfection of our race . Therefore they are always bodying forth conceptions which carry physical , or ...
الصفحة 21
... character , extend its usefulness , and advance its prosperity , while we celebrate its anniversaries and share in its festivities . These considerations furnish incentives to duty , sufficient to secure the performance of our mutual ...
... character , extend its usefulness , and advance its prosperity , while we celebrate its anniversaries and share in its festivities . These considerations furnish incentives to duty , sufficient to secure the performance of our mutual ...
الصفحة 22
... character , that distinguish that race . But while sharing in these advantages , it is our additional and distinctive pride and boast , that the liberal and enlightened Hollanders first settled our city ; that they left , in its early ...
... character , that distinguish that race . But while sharing in these advantages , it is our additional and distinctive pride and boast , that the liberal and enlightened Hollanders first settled our city ; that they left , in its early ...
الصفحة 25
... character . The reply of Governor Stuyvesant , September 2d , 1664 , to the demand of the British Commissioners for the surrender of the fort , is alike just , ingenious and able . He held out to the last against its surrender ; and ...
... character . The reply of Governor Stuyvesant , September 2d , 1664 , to the demand of the British Commissioners for the surrender of the fort , is alike just , ingenious and able . He held out to the last against its surrender ; and ...
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admirable appearance artist Babylon beautiful Boreray bosom breath called character church Coos county dark dear death earth eyes face father fear feeling Funk gaze genius Gentleman in Black give grace grave hand Hanseatic League head hear heard heart heaven honor hope hour Hubert Indians JOHN WATERS Kilda KILMARNOCK KNICKERBOCKER lady latent heat light living look Lubeck manner mind Moravian morning mother nature NED BUNTLINE never New-York night o'er once passed poems poet poetry Poland present racter reader remarkable replied round scene seemed seen Slavonian smile Smith song soon soul speak spermaceti spirit stood sweet tell thee thing thou thought tion TITIAN truth turned voice volume whole words wrought iron XXVII young
مقاطع مشهورة
الصفحة 17 - And it came to pass, as he sat at meat with them, he took bread, and blessed it, and brake, and gave to them. And their eyes were opened, and they knew him; and he vanished out of their sight.
الصفحة 232 - For there is a music wherever there is a harmony, order, or proportion; and thus far we may maintain the music of the spheres; for those well-ordered motions, and regular paces, though they give no sound unto the ear, yet to the understanding they strike a note most full of harmony.
الصفحة 69 - I think nothing in this volume of much value to the public, or very creditable to myself. Events not to be controlled have prevented me from making, at any time, any serious effort in what, under happier circumstances, would have been the field of my choice.
الصفحة 564 - Critical Remarks, in which the various methods of pronouncing employed by different authors are investigated and compared with each other. The SECOND...
الصفحة 233 - For my Conversation, it is like the Sun's, with all men, and with a friendly aspect to good and bad. Methinks there is no man bad. and the worst, best; that is, while they are kept within the circle of those qualities wherein they are good: there is no man's mind of such discordant and jarring a temper, to which a tunable disposition may not strike a harmony.
الصفحة 491 - The Book of Common Prayer, according to the use of the Protestant Episcopal Church in the United States of America; translated into the Mohawk or Iroquois language .. by the Rev.
الصفحة 234 - No man can justly censure or condemn another, because indeed no man truly knows another. This I perceive in my self ; for I am in the dark to all the world, and my nearest friends behold me but in a cloud.
الصفحة 111 - Till every one who saw her, were thankful for the sight Of a face so sweet and radiant with ever fresh delight. Another gave her accents and a voice as musical As a spring-bird's joyous carol, or a rippling streamlet's fall ; Till all who heard her laughing, or her words of childish grace, Loved as much to listen to her, as to look upon her face. Another brought from heaven a clear and gentle mind, And within the lovely casket the precious gem enshrined ; Till...
الصفحة 182 - To hew the rock or wear the gem Can nothing now avail to them ; But if the page of truth they sought, Or comfort to the mourner brought, These hands a richer meed shall claim, Than all that waits on wealth or fame. Avails it whether bare or shod These feet the path of duty trod ? If from the bowers of joy they fled To soothe affliction's humble bed, If grandeur's guilty bribe they spurn'd, And home to virtue's lap return'd ; These feet with angel's wings shall vie, And tread the palace of the sky.
الصفحة 232 - I do embrace it : for even that vulgar and tavern-musick which makes one man merry, another mad, strikes in me a deep fit of devotion, and a profound contemplation of the First Composer.