American Monthly Knickerbocker, المجلد 271846 |
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الصفحة 31
... direction and exercise of the gentler virtues in the opening mind , has led astray many a noble nature . It has marred the prospects of the greatest , and blasted the hopes of the proudest . While , as regards that mighty mass , whose ...
... direction and exercise of the gentler virtues in the opening mind , has led astray many a noble nature . It has marred the prospects of the greatest , and blasted the hopes of the proudest . While , as regards that mighty mass , whose ...
الصفحة 52
... directions the unlovely marsh continues , the abode of big bull - frogs , who have got their big cheeks and stomachs swelled out with an immense quantity of wind , putting you in mind of Bucolics ; for as I speak the truth , their ...
... directions the unlovely marsh continues , the abode of big bull - frogs , who have got their big cheeks and stomachs swelled out with an immense quantity of wind , putting you in mind of Bucolics ; for as I speak the truth , their ...
الصفحة 55
... direction of pap , and sucked with no courage . Cutting teeth put a great many of them into their little graves , where Nature would yet vindicate herself , for the parents would go and sob , as if the affliction were too cruel , and ...
... direction of pap , and sucked with no courage . Cutting teeth put a great many of them into their little graves , where Nature would yet vindicate herself , for the parents would go and sob , as if the affliction were too cruel , and ...
الصفحة 78
... directions , rolling fragments of rocks into globes , again reducing them to gravel , again cutting grooves into granite ; if we see remains of animals of vast physical powers , whose existence could be safely subjected to an atmosphere ...
... directions , rolling fragments of rocks into globes , again reducing them to gravel , again cutting grooves into granite ; if we see remains of animals of vast physical powers , whose existence could be safely subjected to an atmosphere ...
الصفحة 95
... more ob- vious is the similarity of its origin . Although ages have scattered VOL . XXVII . 13 the Slavonians in different directions and over various climates , POETRY AND LITERATURE OF THE SLAVONIANS BY MAJOR TOCHMAN,
... more ob- vious is the similarity of its origin . Although ages have scattered VOL . XXVII . 13 the Slavonians in different directions and over various climates , POETRY AND LITERATURE OF THE SLAVONIANS BY MAJOR TOCHMAN,
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عبارات ومصطلحات مألوفة
admirable appearance artist Babylon beautiful Boreray bosom breath called character church Coos county dark dear death earth eyes face father fear feeling Funk gaze genius Gentleman in Black give grace grave hand Hanseatic League head hear heard heart heaven honor hope hour Hubert Indians JOHN WATERS Kilda KILMARNOCK KNICKERBOCKER lady latent heat light living look Lubeck manner mind Moravian morning mother nature NED BUNTLINE never New-York night o'er once passed poems poet poetry Poland present racter reader remarkable replied round scene seemed seen Slavonian smile Smith song soon soul speak spermaceti spirit stood sweet tell thee thing thou thought tion TITIAN truth turned voice volume whole words wrought iron XXVII young
مقاطع مشهورة
الصفحة 17 - And it came to pass, as he sat at meat with them, he took bread, and blessed it, and brake, and gave to them. And their eyes were opened, and they knew him; and he vanished out of their sight.
الصفحة 232 - For there is a music wherever there is a harmony, order, or proportion; and thus far we may maintain the music of the spheres; for those well-ordered motions, and regular paces, though they give no sound unto the ear, yet to the understanding they strike a note most full of harmony.
الصفحة 69 - I think nothing in this volume of much value to the public, or very creditable to myself. Events not to be controlled have prevented me from making, at any time, any serious effort in what, under happier circumstances, would have been the field of my choice.
الصفحة 564 - Critical Remarks, in which the various methods of pronouncing employed by different authors are investigated and compared with each other. The SECOND...
الصفحة 233 - For my Conversation, it is like the Sun's, with all men, and with a friendly aspect to good and bad. Methinks there is no man bad. and the worst, best; that is, while they are kept within the circle of those qualities wherein they are good: there is no man's mind of such discordant and jarring a temper, to which a tunable disposition may not strike a harmony.
الصفحة 491 - The Book of Common Prayer, according to the use of the Protestant Episcopal Church in the United States of America; translated into the Mohawk or Iroquois language .. by the Rev.
الصفحة 234 - No man can justly censure or condemn another, because indeed no man truly knows another. This I perceive in my self ; for I am in the dark to all the world, and my nearest friends behold me but in a cloud.
الصفحة 111 - Till every one who saw her, were thankful for the sight Of a face so sweet and radiant with ever fresh delight. Another gave her accents and a voice as musical As a spring-bird's joyous carol, or a rippling streamlet's fall ; Till all who heard her laughing, or her words of childish grace, Loved as much to listen to her, as to look upon her face. Another brought from heaven a clear and gentle mind, And within the lovely casket the precious gem enshrined ; Till...
الصفحة 182 - To hew the rock or wear the gem Can nothing now avail to them ; But if the page of truth they sought, Or comfort to the mourner brought, These hands a richer meed shall claim, Than all that waits on wealth or fame. Avails it whether bare or shod These feet the path of duty trod ? If from the bowers of joy they fled To soothe affliction's humble bed, If grandeur's guilty bribe they spurn'd, And home to virtue's lap return'd ; These feet with angel's wings shall vie, And tread the palace of the sky.
الصفحة 232 - I do embrace it : for even that vulgar and tavern-musick which makes one man merry, another mad, strikes in me a deep fit of devotion, and a profound contemplation of the First Composer.