American Monthly Knickerbocker, المجلد 271846 |
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الصفحة 3
... speak of many other portions of Childe Harold , which are all but unequalled ; the entire poetical literature of England for the last one hundred and fifty years may be safely challenged to produce as many consecutive lines , that can ...
... speak of many other portions of Childe Harold , which are all but unequalled ; the entire poetical literature of England for the last one hundred and fifty years may be safely challenged to produce as many consecutive lines , that can ...
الصفحة 8
... Speaking of the fair sex , he says : And again : MAIDENS , like moths , are ever caught by glare , And Mammon wins his way , where seraphs might despair . ' ' FOR who would trust the seeming sighs Of wife , or paramour ? Fresh feres ...
... Speaking of the fair sex , he says : And again : MAIDENS , like moths , are ever caught by glare , And Mammon wins his way , where seraphs might despair . ' ' FOR who would trust the seeming sighs Of wife , or paramour ? Fresh feres ...
الصفحة 13
... speak . ' Their spirits still live , and exert a power of evil eloquence on men , more blight- ing than the pestilence that walketh in darkness , or the destruction that wasteth at noon - day . ' 6 WE MEET IN DREAMS . We are such stuff ...
... speak . ' Their spirits still live , and exert a power of evil eloquence on men , more blight- ing than the pestilence that walketh in darkness , or the destruction that wasteth at noon - day . ' 6 WE MEET IN DREAMS . We are such stuff ...
الصفحة 19
... speak of my wine , then , Long conceded divine , when We've joyous met o'er it again and again ? I will not one word , and no more ; If at all , come at once - ' t is a quarter to four . . JOHN WATERS . STANZAS : NO MORE . ' WHAT time ...
... speak of my wine , then , Long conceded divine , when We've joyous met o'er it again and again ? I will not one word , and no more ; If at all , come at once - ' t is a quarter to four . . JOHN WATERS . STANZAS : NO MORE . ' WHAT time ...
الصفحة 36
... speak not so wildly ; we are both children . ' ― ' I speak not wildly ; you are the saviour of my life- be its future protector . You are alone - be so no longer . We are young ; but LA FAYETTE married , at sixteen , a wife younger than ...
... speak not so wildly ; we are both children . ' ― ' I speak not wildly ; you are the saviour of my life- be its future protector . You are alone - be so no longer . We are young ; but LA FAYETTE married , at sixteen , a wife younger than ...
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admirable appearance artist Babylon beautiful Boreray bosom breath called character church Coos county dark dear death earth eyes face father fear feeling Funk gaze genius Gentleman in Black give grace grave hand Hanseatic League head hear heard heart heaven honor hope hour Hubert Indians JOHN WATERS Kilda KILMARNOCK KNICKERBOCKER lady latent heat light living look Lubeck manner mind Moravian morning mother nature NED BUNTLINE never New-York night o'er once passed poems poet poetry Poland present racter reader remarkable replied round scene seemed seen Slavonian smile Smith song soon soul speak spermaceti spirit stood sweet tell thee thing thou thought tion TITIAN truth turned voice volume whole words wrought iron XXVII young
مقاطع مشهورة
الصفحة 17 - And it came to pass, as he sat at meat with them, he took bread, and blessed it, and brake, and gave to them. And their eyes were opened, and they knew him; and he vanished out of their sight.
الصفحة 232 - For there is a music wherever there is a harmony, order, or proportion; and thus far we may maintain the music of the spheres; for those well-ordered motions, and regular paces, though they give no sound unto the ear, yet to the understanding they strike a note most full of harmony.
الصفحة 69 - I think nothing in this volume of much value to the public, or very creditable to myself. Events not to be controlled have prevented me from making, at any time, any serious effort in what, under happier circumstances, would have been the field of my choice.
الصفحة 564 - Critical Remarks, in which the various methods of pronouncing employed by different authors are investigated and compared with each other. The SECOND...
الصفحة 233 - For my Conversation, it is like the Sun's, with all men, and with a friendly aspect to good and bad. Methinks there is no man bad. and the worst, best; that is, while they are kept within the circle of those qualities wherein they are good: there is no man's mind of such discordant and jarring a temper, to which a tunable disposition may not strike a harmony.
الصفحة 491 - The Book of Common Prayer, according to the use of the Protestant Episcopal Church in the United States of America; translated into the Mohawk or Iroquois language .. by the Rev.
الصفحة 234 - No man can justly censure or condemn another, because indeed no man truly knows another. This I perceive in my self ; for I am in the dark to all the world, and my nearest friends behold me but in a cloud.
الصفحة 111 - Till every one who saw her, were thankful for the sight Of a face so sweet and radiant with ever fresh delight. Another gave her accents and a voice as musical As a spring-bird's joyous carol, or a rippling streamlet's fall ; Till all who heard her laughing, or her words of childish grace, Loved as much to listen to her, as to look upon her face. Another brought from heaven a clear and gentle mind, And within the lovely casket the precious gem enshrined ; Till...
الصفحة 182 - To hew the rock or wear the gem Can nothing now avail to them ; But if the page of truth they sought, Or comfort to the mourner brought, These hands a richer meed shall claim, Than all that waits on wealth or fame. Avails it whether bare or shod These feet the path of duty trod ? If from the bowers of joy they fled To soothe affliction's humble bed, If grandeur's guilty bribe they spurn'd, And home to virtue's lap return'd ; These feet with angel's wings shall vie, And tread the palace of the sky.
الصفحة 232 - I do embrace it : for even that vulgar and tavern-musick which makes one man merry, another mad, strikes in me a deep fit of devotion, and a profound contemplation of the First Composer.