Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Books for Libraries Press, 1969 - 231 من الصفحات |
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الصفحة 64
... things before our eyes , and consequently makes us have the same passions that we should have from the things themselves . For the warmer the imagination is , the more present the things are to us of which we draw the images ; and ...
... things before our eyes , and consequently makes us have the same passions that we should have from the things themselves . For the warmer the imagination is , the more present the things are to us of which we draw the images ; and ...
الصفحة 114
... thing is enough to be the basis of their air - formed visions . Does any capable reader trouble himself about the ... things as his reason tells him did not , and were never likely to , exist . . . . So little account does this wicked ...
... thing is enough to be the basis of their air - formed visions . Does any capable reader trouble himself about the ... things as his reason tells him did not , and were never likely to , exist . . . . So little account does this wicked ...
الصفحة 119
... things , this sceptical proceeding will make every sort of reasoning on every subject vain and frivolous , even that sceptical reasoning itself which had persuaded us to entertain a doubt concerning the agreement of our perceptions ...
... things , this sceptical proceeding will make every sort of reasoning on every subject vain and frivolous , even that sceptical reasoning itself which had persuaded us to entertain a doubt concerning the agreement of our perceptions ...
المحتوى
The Character of the Eighteenth Century and the Place | 11 |
The Evolution of Taste 171060 | 24 |
The Second Half of the Century | 39 |
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action Addison admiration æsthetic affect ancient appear architecture artistic attempt authors beauty become called cause century character classical common compared conception consider criticism delight distinct eighteenth century England English equally especially Essay example excellence expression fancy feeling field followed force French garden genius give Gothic greater harmony human ideas images imagination imitation influence interest judgment kind knowledge landscape learning less letters lines literary literature London manner matter means mind moral Nature never objects observed original painting particular passions perfection perhaps period person philosopher picturesque play pleasing pleasure poet poetic poetry Pope preface present principles produce proportion qualities reason represent Romantic rules scenes sense Shakespeare sight sort spirit style sublime suppose taste term theory things thought tion true truth unity variety whole writing