Working with ShakespeareThis book aims to increase the pleasure of studying Shakespeare, working with the plays as the craftsman-dramatist himself worked by concentrating on poetic detail and dramatic moments. |
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النتائج 1-5 من 6
الصفحة 13
More broadly, the voice of what Kiernan Ryan in 1989 attacked as the "crudely
reductive, moralistic type of reading' is simply redirected when he himself rails at '
the iniquitous structure of economic, social and sexual relationships which breed
...
More broadly, the voice of what Kiernan Ryan in 1989 attacked as the "crudely
reductive, moralistic type of reading' is simply redirected when he himself rails at '
the iniquitous structure of economic, social and sexual relationships which breed
...
الصفحة 15
In Shakespeare, Ryan similarly notes, 'the kaleidoscopic composition of the text
cross-cuts the varieties of verse with the varieties of prose, braiding together the
demotic and the educated, stylised high-flown rhetoric with the more earthbound
...
In Shakespeare, Ryan similarly notes, 'the kaleidoscopic composition of the text
cross-cuts the varieties of verse with the varieties of prose, braiding together the
demotic and the educated, stylised high-flown rhetoric with the more earthbound
...
الصفحة 18
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 36
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 39
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
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عبارات ومصطلحات مألوفة
alliteration Antony Bradley called chapter character Claudius Cleopatra Coleridge comes concern continues contrast critics crown death detail difference direction drama earlier early equally essay example face father feel feminist Fool give goes Hamlet hand hear heart heaven Henry Hotspur human ibid idea Johnson keep kind King Knight language later Lear Lear's less lines live look lord Macbeth meaning mercurial metaphor mind nature notes opening particular passage pattern perhaps phrase play play's pleasure political position present Queene question quoted reason rhetoric Richard Ryan scene sense Shakespeare soliloquy speak speech stage stress structure suggests talk tell thee things thou thought turn verse voice whole wordplay writing young