Working with ShakespeareThis book aims to increase the pleasure of studying Shakespeare, working with the plays as the craftsman-dramatist himself worked by concentrating on poetic detail and dramatic moments. |
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النتائج 1-5 من 8
الصفحة 1
Critics need problems as slugs need cabbages.1 Heads they win, tails you lose.
So might the ghost of Dr Johnson complain, two and a half centuries after his
Preface to Shakespeare. In it, he said of Shakespeare 'that, if much of his praise
is ...
Critics need problems as slugs need cabbages.1 Heads they win, tails you lose.
So might the ghost of Dr Johnson complain, two and a half centuries after his
Preface to Shakespeare. In it, he said of Shakespeare 'that, if much of his praise
is ...
الصفحة 6
This Introduction offers a preliminary survey: do these recent critics seem to be
working with Shakespeare or against the grain of his work? Are they aligned with
that approach of mine which I've just been outlining, or are they the Enemy?
This Introduction offers a preliminary survey: do these recent critics seem to be
working with Shakespeare or against the grain of his work? Are they aligned with
that approach of mine which I've just been outlining, or are they the Enemy?
الصفحة 7
in the bad old days 'practical criticism' treated literary texts 'as self-contained
organisms, "words on the page" in ... Recent critics are right to be wary of the
would-be pragmatism of the Eliot era which contrasted comparison-and-analysis
with ...
in the bad old days 'practical criticism' treated literary texts 'as self-contained
organisms, "words on the page" in ... Recent critics are right to be wary of the
would-be pragmatism of the Eliot era which contrasted comparison-and-analysis
with ...
الصفحة 18
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 35
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
alliteration Antony Bradley called chapter character Claudius Cleopatra Coleridge comes concern continues contrast critics crown death detail difference direction drama earlier early equally essay example face father feel feminist Fool give goes Hamlet hand hear heart heaven Henry Hotspur human ibid idea Johnson keep kind King Knight language later Lear Lear's less lines live look lord Macbeth meaning mercurial metaphor mind nature notes opening particular passage pattern perhaps phrase play play's pleasure political position present Queene question quoted reason rhetoric Richard Ryan scene sense Shakespeare soliloquy speak speech stage stress structure suggests talk tell thee things thou thought turn verse voice whole wordplay writing young