Working with ShakespeareThis book aims to increase the pleasure of studying Shakespeare, working with the plays as the craftsman-dramatist himself worked by concentrating on poetic detail and dramatic moments. |
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الصفحة 1
... which he reinforces by adding that Shakespeare 'has scenes of undoubted and
perpetual excellence; but perhaps not one play which, if it were now exhibited as
the work of a contemporary writer, would be heard to conclusion' (ibid.).
... which he reinforces by adding that Shakespeare 'has scenes of undoubted and
perpetual excellence; but perhaps not one play which, if it were now exhibited as
the work of a contemporary writer, would be heard to conclusion' (ibid.).
الصفحة 10
Western view of the world' (ibid. , 291). In the critical collection Political
Shakespeare (Dollimore and Sinfield, 1985) Dollimore (with co-editor Alan
Sinfield) had affirmed in his own work a 'commitment to the transformation of a
social order ...
Western view of the world' (ibid. , 291). In the critical collection Political
Shakespeare (Dollimore and Sinfield, 1985) Dollimore (with co-editor Alan
Sinfield) had affirmed in his own work a 'commitment to the transformation of a
social order ...
الصفحة 83
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 90
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 180
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
alliteration Antony Bradley called chapter character Claudius Cleopatra Coleridge comes concern continues contrast critics crown death detail difference direction drama earlier early equally essay example face father feel feminist Fool give goes Hamlet hand hear heart heaven Henry Hotspur human ibid idea Johnson keep kind King Knight language later Lear Lear's less lines live look lord Macbeth meaning mercurial metaphor mind nature notes opening particular passage pattern perhaps phrase play play's pleasure political position present Queene question quoted reason rhetoric Richard Ryan scene sense Shakespeare soliloquy speak speech stage stress structure suggests talk tell thee things thou thought turn verse voice whole wordplay writing young