Working with ShakespeareThis book aims to increase the pleasure of studying Shakespeare, working with the plays as the craftsman-dramatist himself worked by concentrating on poetic detail and dramatic moments. |
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الصفحة 6
An extension of that exposure has been to develop the point made long ago by
George Orwell that all writing is political and that 'the opinion that art should have
nothing to do with politics is itself a political attitude'.7 1 therefore quite take the ...
An extension of that exposure has been to develop the point made long ago by
George Orwell that all writing is political and that 'the opinion that art should have
nothing to do with politics is itself a political attitude'.7 1 therefore quite take the ...
الصفحة 10
In the critical collection Political Shakespeare (Dollimore and Sinfield, 1985)
Dollimore (with co-editor Alan Sinfield) had affirmed in his own work a '
commitment to the transformation of a social order which exploits people on
grounds of race, ...
In the critical collection Political Shakespeare (Dollimore and Sinfield, 1985)
Dollimore (with co-editor Alan Sinfield) had affirmed in his own work a '
commitment to the transformation of a social order which exploits people on
grounds of race, ...
الصفحة 11
III If, therefore, the contributors to Political Shakespeare are all steered by a '
commitment' to political change, political approaches have overall been varied.
Given his polemical tone in Political Shakespeare and elsewhere, Dollimore's
survey ...
III If, therefore, the contributors to Political Shakespeare are all steered by a '
commitment' to political change, political approaches have overall been varied.
Given his polemical tone in Political Shakespeare and elsewhere, Dollimore's
survey ...
الصفحة 185
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 218
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
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عبارات ومصطلحات مألوفة
alliteration Antony Bradley called chapter character Claudius Cleopatra Coleridge comes concern continues contrast critics crown death detail difference direction drama earlier early equally essay example face father feel feminist Fool give goes Hamlet hand hear heart heaven Henry Hotspur human ibid idea Johnson keep kind King Knight language later Lear Lear's less lines live look lord Macbeth meaning mercurial metaphor mind nature notes opening particular passage pattern perhaps phrase play play's pleasure political position present Queene question quoted reason rhetoric Richard Ryan scene sense Shakespeare soliloquy speak speech stage stress structure suggests talk tell thee things thou thought turn verse voice whole wordplay writing young