Working with ShakespeareThis book aims to increase the pleasure of studying Shakespeare, working with the plays as the craftsman-dramatist himself worked by concentrating on poetic detail and dramatic moments. |
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الصفحة 4
One reason which I find persuasive is that they are 'more within the range of what
most of us, as students and teachers of King Lear, can actually undertake for
ourselves'. Another good reason is that 'it can be very liberating to avoid or at
least ...
One reason which I find persuasive is that they are 'more within the range of what
most of us, as students and teachers of King Lear, can actually undertake for
ourselves'. Another good reason is that 'it can be very liberating to avoid or at
least ...
الصفحة 15
They had good reason for waving wildly to catch attention. Those critics have
only recently been picked up by critical anthologies (e.g. the new Casebooks):
they do not appear in the back section of the Signets, nor have they influenced ...
They had good reason for waving wildly to catch attention. Those critics have
only recently been picked up by critical anthologies (e.g. the new Casebooks):
they do not appear in the back section of the Signets, nor have they influenced ...
الصفحة 101
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 197
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 202
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
alliteration Antony Bradley called chapter character Claudius Cleopatra Coleridge comes concern continues contrast critics crown death detail difference direction drama earlier early equally essay example face father feel feminist Fool give goes Hamlet hand hear heart heaven Henry Hotspur human ibid idea Johnson keep kind King Knight language later Lear Lear's less lines live look lord Macbeth meaning mercurial metaphor mind nature notes opening particular passage pattern perhaps phrase play play's pleasure political position present Queene question quoted reason rhetoric Richard Ryan scene sense Shakespeare soliloquy speak speech stage stress structure suggests talk tell thee things thou thought turn verse voice whole wordplay writing young