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CHAPTER III.

HERALDIC AND EMBLEMATIC SIGNS.

ROYALTY stands prominently at the head of the heraldic signs in its triple hieroglyphic of the Crown, (no coronets ever occur,) the King's or Queen's Arms, and the various royal badges.

The CROWN seems to be one of the oldest of English signs. We read of it as early as 1467, when a certain Walter Walters, who kept the Crown in Cheapside, made an innocent Cockney pun, saying he would make his son heir to the Crown, which so displeased his gracious majesty, King Edward IV., that he ordered the man to be put to death for high treason.

The Crown Inn at Oxford was kept by Davenant, (Sir William Davenant's father.) Shakespeare, on his frequent journeys between London and his native place, generally put up at this inn, and the malicious world said that young Davenant (the future Sir William) was somewhat nearer related to him than as a godson only. One day, when Shakespeare was just arrived, and the boy sent for from school to see him, a master of one of the colleges, pretty well acquainted with the affairs of the family, asked the boy why he was going home in so much haste, who answered, that he was going to see his godfather Shakespeare. "Fie, child," said the old gentleman, "why are you so superfluous? Have you not learnt yet that you should not use the name of God in vain ?"

On the site occupied by the present Bank of England there used to stand four taverns; one of them bore the sign of the Crown, and was certainly in a good line of business, for, according to Sir John Hawkins,* it was not unusual in those toping days to draw a butt (120 gallons) of mountain in half-pints in the course of a single morning.

About the same period there was another Crown Tavern in Duck Lane, W. Smithfield. One of the rooms in that house was decorated by Isaac Fuller (ob. 1672) with pictures of the Muses, Pallas, Mars, Ajax, Ulysses, &c. Ned Ward praises them highly in his "London Spy." "The dead figures appeared with such lively majesty that they begot reverence in the spectators towards the awful shadows!" Such painted rooms in taverns were not uncommon at that period.

* History of Musick.

The origin of the sign of the THREE CROWNS is thus accounted for by Bagford :*-"The mercers trading with Collen (Cologne) set vp ther singes ouer ther dores of ther Houses the three kinges of Collen, with the Armes of that Citye, which was the Three Crouens of the former kinges, in memory of them, and by those singes the people knew in what wares they deld in." Afterwards, like all other signs, it was used promiscuously, and thus it gave a name to a good old-fashioned inn in Lichfield, the property of Dr Johnson, and the very next house to that in which the doctor was born.

Frequently the Royal Crown is combined with other objects, to amplify the meaning, or to express some particular prerogative; such are the CROWN AND CUSHION, being the Crown as it is carried before the king in coronation, and other ceremonies. We even meet with the Two CROWNS AND CUSHIONS; that is, the Crown for the King and for the Queen, which was the sign of a Mr Arne, an upholsterer in Covent Garden, the hero of several Tatlers and Spectators, and father of the celebrated musician and composer, Dr Arne. This political upholsterer also figures in a farce by Murphy, entitled "The Upholsterer; or what news?" The four Indian princes referred to in Tatler, No. 155, who came to England in the reign of Queen Anne, to implore the help of the British Government against the encroachments of the French in Canada, seem to have lodged in this man's house,-a circumstance frequently alluded to in the papers of the Tatler and other periodicals of the time.

The CROWN AND GLOVE refers to the well-known ceremony of the Royal Champion at the Coronation. It occurs as a sign at Stannington, Sheffield, Eastgate Row, South Chester, &c. The ROYAL CHAMPION himself figures in George Street, Oxford. In the Gazetteer for August 20, 1784, we find an anecdote recorded concerning the Royal Champion, which is almost too good to be true" At the coronation of King William and Queen Mary, the Champion of England dressed in armour of complete and glittering steel; his horse richly caparisoned, and himself, and beaver finely capped with plumes of feathers, entered Westminster Hall while the King and Queen were at dinner. And, at giving

Harl. MSS. 5910, vol. i. fol. 193. The reader will be amused with the spelling of this extract from the original manuscript, written when Addison was penning "Spectators," and many classic English compositions were issuing from the press. Old Mr Bagford was a genuine antiquary, and despised new hats, new coats, and anything approaching the new style of spelling, with other changes then being introduced.

the usual challenge to any one that disputed their majesties' right to the crown of England, (when he has the honour to drink the Sovereign's health out of a golden cup, always his fee,) after he had flung down his gauntlet on the pavement, an old woman, who entered the hall on crutches, (which she left behind her,) took it up, and made off with great celerity, leaving her own glove, with a challenge in it to meet her the next day at an appointed hour in Hyde Park. This occasioned some mirth at the lower end of the hall and it was remarkable that every one was too well engaged to pursue her. A person in the same dress appeared the next day at the place appointed, though it was generally supposed to be a good swordsman in that disguise. However, the Champion of England politely declined any contest of that nature with the fair sex, and never made his appearance."

The CROWN AND SCEPTRE, another of the royal insignia, is named by Misson* in the following incident :-" Butler, the keeper of the Crown and Sceptre tavern, in St Martin's Lane, told me that there was a tun of red port drunk at his wife's burial, besides mulled white wine. Note.-No men ever goe to women's burials, nor the women to the men's; so that there were none but women at the drinking of Butler's wine. Such women in England will hold it out with the men, when they have a bottle before them, as well as upon th' other occasion, and tattle infinitely better than they."

The CROWN AND MITRE, indicative of royalty and the church, is the sign of a High Church publican at Taunton; and the BIBLE AND CROWN has for more than a century and a half been the sign of Rivingtons the publishers. (See under Religious Signs.) The King and Parliament are represented by the wellknown CROWN AND WOOLPACK, which at Gedney Holbeach, in Lincolnshire, has been corrupted into the CROWN AND WOODPECKER. The CROWN AND TOWER, at Taunton, may refer to the regalia kept in the Tower, or to the king being "a tower of strength." A similar symbol seems to be intended in the CROWN AND COLUMN, Ker Street, Devonport, perhaps implying the strength of royalty when supported by a powerful and united nation.

The CROWN AND is a great favourite.

* Misson's Memoirs a

ANCHOR, the well-known badge of the Navy,
One of the most famous taverns with this
Observations in his Travels over England. London, 1719.

sign was in the Strand, where Dr Johnson often used to "make a night of it." "Soon afterwards," says Boswell, "in 1768, he supped at the Crown and Anchor in the Strand, with a company whom I collected to meet him. There were Dr Percy, now bishop of Dromore; Dr Douglas, now bishop of Salisbury; Mr Langton; Dr Robertson, the historian; Dr Hugh Blair, and Mr Thomas Davis." On this occasion the great doctor was unusually colloquial, and according to his amiable custom "tossed and gored several persons."

The famous "Crown and Anchor Association" against socalled Republicans and Levellers-as the reformers were styled by the ministerial party in 1792-owed its name to this tavern. Its rise and progress is rather curious: it was undertaken at the instance of Pitt and Dundas, by John Reeves, a barrister. Reeves, at first, could get no one to join him, but, to meet the wishes of his employers, used to go to the Crown and Anchor, draw up some resolutions, pass them nem. con., and sign them John Reeves, chairman thus being in his own person, meeting, chairman, and secretary. In this way they were inserted in all the papers of the three kingdoms, the expense being no object to the persons concerned. Meetings of the counties were advertised, but the first, second, and third consisted of Reeves alone, and it was not till the fourth meeting that he had any coadjutors. The political effervescence created by this society, its imitations and branches, form part of the history of the nation.

In the year 1800 the Farming Society proposed to have an experimental dinner in order to ascertain the relative qualities of the various breeds of cattle in the kingdom; the dinner was planned and patronised by Sir John Sinclair, and the execution intrusted to Mr Simpkins, landlord of the Crown and Anchor, who sent a tender of the most Brobdignagian dinner probably ever heard of. Twelve kinds of oxen and sheep of the most famous breed, eight kinds of pork, and various specimens of poultry, were to bleed as victims in this holocaust to the devil of gluttony; the fish was only to be from fresh waters, such as were "entitled to the attention of British farmers;" there were various kinds of vegetables, nine sorts of bread, besides veal, lamb, hams, poultry, tarts and puddings, all of which were to be washed down by a variety of strong and mild ales, stout, cider, Perry, and "British" spirits. Tickets one guinea each.*

England is the country, par excellence, for gigantic dinners, amongst which agri

The ANCHOR AND CROWN was also the sign of the great booth at Greenwich fair; it was 323 feet long, and 60 feet wide, was used for dancing, and could easily accommodate 2000 persons at a time. The other booths also had signs; amongst them were the ROYAL STANDARD, the LADS OF THE VILLAGE, the BLACK BOY AND CAT, the MOONRAKERS, and others.

The CROWN AND DOVE, Bridewell Street, Bristol, may refer to the order of the Holy Ghost, or may have been suggested by the THREE PIGEONS AND SCEPTRE.

Objects of various trades, with a crown above them, were very common: the CROWN AND FAN was an ordinary fan-maker's sign.* The CROWN AND RASP, belonging to snuff-makers, occurs as the sign of Fribourg and Treyer, tobacconists, at the upper end of Pall Mall, near the Haymarket, in 1781: it is still to be seen on the façade of the house. The oldest form of taking snuff was to scrape it with a rasp from the dry root of the tobacco plant; the powder was then placed on the back of the hand and so snuffed up; hence the name of râpé (rasped) for a kind of snuff, and the common tobacconist's sign of LA CAROTTE D'OR, (the golden root,) in France. The rasps for this purpose were carried in the waistcoat pocket, and soon became articles of luxury, being carved in ivory and variously enriched. Some of them, in ivory and inlaid wood, may be seen at the Hôtel Cluny in Paris, and an engraving of such an object occurs in "Archaologia," vol. xiii. One of the first snuff boxes was the so-called râpé, or grivoise box, at the back of which was a little space for a piece of the root, whilst a small iron rasp was contained in the middle. When a pinch was wanted, the root was drawn a few times over the iron rasp, and so the snuff was produced and could be offered to a friend with much more grace than under the above-mentioned process with the pocket grater.

The CROWN AND LAST originated with shoemakers, but the gentle craft having the reputation of being thirsty souls, it

cultural repasts stand foremost; even that nuptial dinner of Camacho, at which honest Sancho Panza did such execution, would scarcely rank as a lunch beside the Homeric dinners of our farmers. In our times we have seen Soyer roast a whole ox for the Agricultural Society at Exeter; the details of this culinary feat are somewhat interesting: it was called a "baron with saddle back of beef d la magna charta, weighing 535 lbs., the joints being the whole length of the ox, rumps, rounds, loins, ribs, and shoulders to the neck. It was roasted in the open air within a temporary enclosure of brick work, the monster joint steaming and frizzling away over 218 jets of gas from pipes of an inch diameter, the whole being covered in with sheet iron; when in 5 hours the beef was dressed for 5 shillings."-Hints for the Table

• Various examples of it occur in the Banks Bills.

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