The Art of Elocution: From the Simple Articulation of the Elemental Sounds of Language, Up to the Highest Tone of Expression in Speech, Attainable by the Human VoiceSampson, Low, 1846 - 383 من الصفحات |
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الصفحة iv
... present edition is greatly improved and enlarged , and takes in the various branches of the subject ; —logical and musical reading and declamation ; oratorical , poetical and dramatic reading and recitation . As now published , the work ...
... present edition is greatly improved and enlarged , and takes in the various branches of the subject ; —logical and musical reading and declamation ; oratorical , poetical and dramatic reading and recitation . As now published , the work ...
الصفحة 22
... present subject , that a theory which does not tend to the improvement of practice is utterly unworthy of regard ; and then , it is contended that Logic ( Elocution ) has no such tendency , on the plea that men may and do reason ( speak ) ...
... present subject , that a theory which does not tend to the improvement of practice is utterly unworthy of regard ; and then , it is contended that Logic ( Elocution ) has no such tendency , on the plea that men may and do reason ( speak ) ...
الصفحة 75
... present , let us learn a simple ascent , ( or rise , ) and descent , ( or fall , ) of the voice ; of the range of— say one tone in music , upwards or downwards . This ascent or descent of the voice is called by Elocution- ists ...
... present , let us learn a simple ascent , ( or rise , ) and descent , ( or fall , ) of the voice ; of the range of— say one tone in music , upwards or downwards . This ascent or descent of the voice is called by Elocution- ists ...
الصفحة 76
... correct , but equally intelligible term , inflection , to denote the slides of the voice ; and to use the term accent in its present popularly re- ceived sense . This ascent of the voice , or rising inflection , 76 ART OF ELOCUTION .
... correct , but equally intelligible term , inflection , to denote the slides of the voice ; and to use the term accent in its present popularly re- ceived sense . This ascent of the voice , or rising inflection , 76 ART OF ELOCUTION .
الصفحة 84
... inflection necessary to long , or particularly - con- structed periods , let us for the present proceed to the third principle under our second division , viz . 3. EMPHASIS is a word of Greek origin and form 84 ART OF ELOCUTION .
... inflection necessary to long , or particularly - con- structed periods , let us for the present proceed to the third principle under our second division , viz . 3. EMPHASIS is a word of Greek origin and form 84 ART OF ELOCUTION .
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عبارات ومصطلحات مألوفة
accelerando accented ADRASTUS antithesis arms articulation beauty blood breath Brutus Cæsar Cassius character Christian close common compound inflections dark death delivery diphthongal distinct doth ducats earth elementary sounds emphasis of force emphasis of sense EXAMPLES exercise expression falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heard heart heaven Helon high pitch honor hope human voice Intonation king language legato light live Lochinvar Lord marked MEDON melody ment mercy middle pause middle pitch mind nature Netherby never noble o'er orator passage passion perfect practice presto pronominal phrase prose prosodial reading rhythm rising inflection Roche Rome rules sentence Shylock simple solemn soul speak speaker speech spirit style swelling syllables system of Elocution thee thought tion tone tonic sound utterance Vandenhoff's Venice verse voice vowel weep word
مقاطع مشهورة
الصفحة 324 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
الصفحة 300 - He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress...
الصفحة 325 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, "Brutus" will start a spirit as soon as "Caesar.
الصفحة 291 - mong Graemes of the Netherby clan ; Forsters, Fenwicks, and Musgraves, they rode and they ran : There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
الصفحة 339 - O, now you weep ; and, I perceive, you feel The dint of pity : these are gracious drops ; Kind souls ! What, weep you, when you but behold Our Caesar's vesture wounded ? Look you here. Here is himself, marr'd, as you see.
الصفحة 326 - Signior Antonio, many a time and oft In the Rialto you have rated me About my monies, and my usances : Still have I borne it with a patient shrug ; For sufferance is the badge of all our tribe...
الصفحة 175 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct, As water is in water.
الصفحة 335 - O Cassius, you are yoked with a lamb That carries anger, as the flint bears fire; Who, much enforced, shows a hasty spark, And straight is cold again.
الصفحة 353 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
الصفحة 352 - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them ? To die : to sleep ; No more; and by a sleep to say we end The heart-ache, and the thousand natural shocks That flesh is heir to ?—'tis a consummation Devoutly to be wish'd. To die, to sleep...