One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott CardMcFarland, Incorporated, Publishers, 04/02/2008 - 263 من الصفحات This work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters. |
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الصفحة 132
... death and relinquish the temptation of immortality . The shadow , seen as the things repressed in Lebannen's personal unconscious , is there too , albeit not externalized as for Ged . Nodelman identifies it as the prince's ...
... death and relinquish the temptation of immortality . The shadow , seen as the things repressed in Lebannen's personal unconscious , is there too , albeit not externalized as for Ged . Nodelman identifies it as the prince's ...
الصفحة 142
... death . The first variation on the theme appears in " The Word of Unbinding , " which ends with the wizard Festin taking eternal watch " over this place where once death had found a way back into the other land " ( 79 ) . The danger of ...
... death . The first variation on the theme appears in " The Word of Unbinding , " which ends with the wizard Festin taking eternal watch " over this place where once death had found a way back into the other land " ( 79 ) . The danger of ...
الصفحة 166
... Death Lord . Arawn's obsession is not only to forestall change but also to disable the creation of anything new . For that purpose , from time immemorial , he has been stealing whatever humans can use creatively : tools , skills ...
... Death Lord . Arawn's obsession is not only to forestall change but also to disable the creation of anything new . For that purpose , from time immemorial , he has been stealing whatever humans can use creatively : tools , skills ...
المحتوى
Acknowledgments | 1 |
Theoretical Era | 13 |
Reductionist and Holistic Criticisms in a Battle of Worldviews | 39 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
Alexander's American approach archetypal argued asserts Attebery Attebery's believe C.S. Lewis called Card's Celtic century chapter Children's Literature Christian Chronicles Chronicles of Prydain claims concept consciousness contemporary creative cultural dragons dream Earthsea sequence Egoff Essays ethical fantasy example experience explored fairy fantasists fantasy criticism Fantasy Literature genre Guin Guin's High Fantasy holistic critics human idea imaginative Jung Jung's L'Engle's land Lewis Lewis's literary live Lloyd Alexander Madeleine L'Engle magic means mode modern moral Mormon mythic mythology mythopoeia mythopoeic fantasy mythopoesis narrative novels Orson Scott Card past perspective philosophy poetic knowledge present protagonists Prydain psychological Quartet quest readers reality reductionist reflects religion religious says Science Fiction sense specific spiritual story structure suggest supernatural Taoist Taran tasy Tehanu Tenar theme theory things tion Tolkien tradition transcendence trilogy truth unconscious understanding Ursula Ursula K Ursula Le Guin vision Welsh myth Wind worldview Wrinkle writers York