One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott CardMcFarland, Incorporated, Publishers, 04/02/2008 - 263 من الصفحات This work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters. |
من داخل الكتاب
النتائج 1-3 من 61
الصفحة 143
... seen as a poetic idea and a metaphor for our present condition , reflecting Le Guin's convic- tion that while " Yang and Yin are a balance " and " only together are they fertile , " our world , or specifically the West , " has gone ...
... seen as a poetic idea and a metaphor for our present condition , reflecting Le Guin's convic- tion that while " Yang and Yin are a balance " and " only together are they fertile , " our world , or specifically the West , " has gone ...
الصفحة 190
... seen in the boy's " time and place " because they " are either forgotten or denied " ( Waters 134 ) . The theme of observer's consciousness also comes up in Swiftly : Bran , for example , sees pictures of reality beyond his time , and ...
... seen in the boy's " time and place " because they " are either forgotten or denied " ( Waters 134 ) . The theme of observer's consciousness also comes up in Swiftly : Bran , for example , sees pictures of reality beyond his time , and ...
الصفحة 260
... seen by Lloyd Alexander 153-154 ; as seen by Madeleine L'Engle 181 ; as seen by Orson Scott Card 206–208 ; as seen by Ursula K. Le Guin 125-127 ; as speculative fiction 81-82 ; symbolic 78 ; as a type of religious discourse 75-76 , 82 ...
... seen by Lloyd Alexander 153-154 ; as seen by Madeleine L'Engle 181 ; as seen by Orson Scott Card 206–208 ; as seen by Ursula K. Le Guin 125-127 ; as speculative fiction 81-82 ; symbolic 78 ; as a type of religious discourse 75-76 , 82 ...
المحتوى
Acknowledgments | 1 |
Theoretical Era | 13 |
Reductionist and Holistic Criticisms in a Battle of Worldviews | 39 |
حقوق النشر | |
9 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Alexander's American approach archetypal argued asserts Attebery Attebery's believe C.S. Lewis called Card's Celtic century chapter Children's Literature Christian Chronicles Chronicles of Prydain claims concept consciousness contemporary creative cultural dragons dream Earthsea sequence Egoff Essays ethical fantasy example experience explored fairy fantasists fantasy criticism Fantasy Literature genre Guin Guin's High Fantasy holistic critics human idea imaginative Jung Jung's L'Engle's land Lewis Lewis's literary live Lloyd Alexander Madeleine L'Engle magic means mode modern moral Mormon mythic mythology mythopoeia mythopoeic fantasy mythopoesis narrative novels Orson Scott Card past perspective philosophy poetic knowledge present protagonists Prydain psychological Quartet quest readers reality reductionist reflects religion religious says Science Fiction sense specific spiritual story structure suggest supernatural Taoist Taran tasy Tehanu Tenar theme theory things tion Tolkien tradition transcendence trilogy truth unconscious understanding Ursula Ursula K Ursula Le Guin vision Welsh myth Wind worldview Wrinkle writers York