POPE-Moral Essays. Ep. II. L. 43. From loveless youth to unrespected age, No passion gratified, except her rage, So much the fury still outran the wit, That pleasure miss'd her, and the scandal hit. POPE-Moral Essays. Ep. II. L. 125.

8.

Good-humor only teaches charms to last,
Still makes new conquests and maintains the

t.

past.

Heav'n forming each on other to depend,
A master, or a servant, or a friend,
Bids each on other for assistance call,
Till one man's weakness grows the strength of
all.

u.

POPE-Essay on Man. Ep. II. L. 250. In men we various ruling passions find; In women two almost divide the kind; Those only fixed, they first or last obey, The love of pleasure, and the love of sway. บ. POPE-Moral Essays. Ep. II. L. 207. 'Tis from high Life high Characters are drawn;

A Saint in Crape is twice a Saint in Lawn:
A Judge is just, a Chanc'llor juster still;
A Gownman learn'd; a Bishop what you
will;

Wise if a minister; but if a King,

More wise, more learn'd, more just, more ev'rything.

f.

Richard III. Act 1. Sc. 4. L. 247.

O, he sits high in all the people's hearts:
And that which would appear offence in us.
His countenance, like richest alchemy,
'Will change to virtue and to worthiness.
g. Julius Cæsar. Act 1. Sc. 3. L. 157.
There is a kind of character in thy life,
That to the observer doth thy history
Fully unfold.

h. Measure for Measure. Act I. Sc. 1.

L. 28. There's neither honesty, manhood, nor good fellowship in thee.

i.

Henry IV. Pt. I. Act I. Sc. 2. L. 154. The trick of singularity. j.

Twelfth Night. Act II. Sc. 5. L. 164. Thou art most rich, being poor; Most choice, forsaken; and most lov'd, despis'd!

Thee and thy virtues here I seize upon :
k. King Lear. Act I. Sc. 1. L. 252.

Though I am not splenitive and rash,
Yet have I something in me dangerous.

1. Hamlet. Act V. Sc. 1. L. 285.

Merchant of Venice. Act I. Sc. 2.

L. 94. Why, now I see there's mettle in thee, and even from this instant do build on thee a better opinion than ever before.

p. Othello. Act IV. Sc. 2. L. 205.

You are thought here to be the most senseless and fit man for the constable of the watch; therefore bear you the lantern.

q.

Much Ado About Nothing. Act III.
Sc. 3. L. 20.

I'm called away by particular business. But I leave my character behind me. SHERIDAN-School for Scandal.

T.

Lax in their gaiters, laxer in their gait. JAMES SMITH-The Theatre.

8.

Act II.

Sc. 2.

Daniel Webster struck me much like a steam engine in trousers.