Dramatic Theory and the Rhymed Heroic Play, المجلد 10Oxford University Press, 1931 - 235 من الصفحات |
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الصفحة 37
... interest in Hobbes's views ( as is shown by various references to them in his essays and prefaces ) was aroused by his association with these men . In a recent article of interest on the subject of ' Dryden , Hobbes , and the Royal ...
... interest in Hobbes's views ( as is shown by various references to them in his essays and prefaces ) was aroused by his association with these men . In a recent article of interest on the subject of ' Dryden , Hobbes , and the Royal ...
الصفحة 113
... interest- ing to find that Nathaniel Lee , in the preface to Oedipus ( 1679 ) , in which play he collaborated with Dryden , censures the licence of which Dryden himself was so fond , in these terms : ' Perhaps , after all , if we cou'd ...
... interest- ing to find that Nathaniel Lee , in the preface to Oedipus ( 1679 ) , in which play he collaborated with Dryden , censures the licence of which Dryden himself was so fond , in these terms : ' Perhaps , after all , if we cou'd ...
الصفحة 190
... interest of the three main characters . Many of them , it is true , might be away without seriously impairing the central theme . But they serve to increase the historical illusion , which , though a minor aspect of this play , yet ...
... interest of the three main characters . Many of them , it is true , might be away without seriously impairing the central theme . But they serve to increase the historical illusion , which , though a minor aspect of this play , yet ...
المحتوى
Chapter One INTRODUCTION | 1 |
Influence of Theatrical Conditions on the Drama | 58 |
Chapter | 65 |
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action actors Ancients appear argument attempt audience become blank verse bombast changes characters chiefly comedy comic concerned considered contemporary continued Corneille Corneille's criticism D'Avenant death discussion drama Dramatic Poesy dramatists Dryden effect element Elizabethan England English Essay of Dramatic example fact favour France French frequently greater hand heroic play honour important incidents Indian influence instance interest kind King Ladies latter less lovers maintains means mind nature observed original passage passion performance period persons playwrights plot poem poet points practice preface present principle probably production Queen reason regards remarks represented Restoration Rhodes rhyme Rival romances rule says scenes seen serious setting shows Siege stage success suggests term theatre theory tion tragedy tragic tragicomedy true unity unity of place whole writing written