Dramatic Theory and the Rhymed Heroic Play, المجلد 10Oxford University Press, 1931 - 235 من الصفحات |
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الصفحة 29
... kind of knowledge , namely , that ' clear and distinct perception ' 1 Lanson aptly points out how well Chimène , for instance , follows this advice . ' Son amour est si fort qu'elle a besoin d'exciter sans cesse en elle la ...
... kind of knowledge , namely , that ' clear and distinct perception ' 1 Lanson aptly points out how well Chimène , for instance , follows this advice . ' Son amour est si fort qu'elle a besoin d'exciter sans cesse en elle la ...
الصفحة 112
... kind without episode , or underplot ; every scene in the tragedy conducing to the main design and every act concluding with a turn of it . ' That these assertions are true , the play clearly shows . The action , extending in Antony and ...
... kind without episode , or underplot ; every scene in the tragedy conducing to the main design and every act concluding with a turn of it . ' That these assertions are true , the play clearly shows . The action , extending in Antony and ...
الصفحة 144
... kind of dominion , however , could not but be transi- tory , and Dryden perceived that as soon as these scenes lost their power to astonish , the heroic play would be in danger of becoming an outworn form , unless by some means it could ...
... kind of dominion , however , could not but be transi- tory , and Dryden perceived that as soon as these scenes lost their power to astonish , the heroic play would be in danger of becoming an outworn form , unless by some means it could ...
المحتوى
Chapter One INTRODUCTION | 1 |
Influence of Theatrical Conditions on the Drama | 58 |
Chapter | 65 |
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action actors Ancients appear argument attempt audience become blank verse bombast changes characters chiefly comedy comic concerned considered contemporary continued Corneille Corneille's criticism D'Avenant death discussion drama Dramatic Poesy dramatists Dryden effect element Elizabethan England English Essay of Dramatic example fact favour France French frequently greater hand heroic play honour important incidents Indian influence instance interest kind King Ladies latter less lovers maintains means mind nature observed original passage passion performance period persons playwrights plot poem poet points practice preface present principle probably production Queen reason regards remarks represented Restoration Rhodes rhyme Rival romances rule says scenes seen serious setting shows Siege stage success suggests term theatre theory tion tragedy tragic tragicomedy true unity unity of place whole writing written