Dramatic Theory and the Rhymed Heroic Play, المجلد 10Oxford University Press, 1931 - 235 من الصفحات |
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الصفحة 81
... less grateful to the audience , it being as it were two Plays in one . ' Unfortunately there are but few signs , in the practice of contemporary drama , of this ideal having been striven for ; much less attained . Dryden , as we know ...
... less grateful to the audience , it being as it were two Plays in one . ' Unfortunately there are but few signs , in the practice of contemporary drama , of this ideal having been striven for ; much less attained . Dryden , as we know ...
الصفحة 104
... less than what they are ; or the greatest part of time to be comprehended in the less ; for all being impossible , they are none of them nearest the truth , or nature , of what they present , for Impossibilities are all equal , and ...
... less than what they are ; or the greatest part of time to be comprehended in the less ; for all being impossible , they are none of them nearest the truth , or nature , of what they present , for Impossibilities are all equal , and ...
الصفحة 134
... less than what they are ; or the greatest part of time to be com- prehended in the less ; for being all impossible , they are none of them nearest the truth , or nature , of what they present , for Impossibilities are all equal , and ...
... less than what they are ; or the greatest part of time to be com- prehended in the less ; for being all impossible , they are none of them nearest the truth , or nature , of what they present , for Impossibilities are all equal , and ...
المحتوى
Chapter One INTRODUCTION | 1 |
Influence of Theatrical Conditions on the Drama | 58 |
Chapter | 65 |
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عبارات ومصطلحات مألوفة
action actors Ancients appear argument attempt audience become blank verse bombast changes characters chiefly comedy comic concerned considered contemporary continued Corneille Corneille's criticism D'Avenant death discussion drama Dramatic Poesy dramatists Dryden effect element Elizabethan England English Essay of Dramatic example fact favour France French frequently greater hand heroic play honour important incidents Indian influence instance interest kind King Ladies latter less lovers maintains means mind nature observed original passage passion performance period persons playwrights plot poem poet points practice preface present principle probably production Queen reason regards remarks represented Restoration Rhodes rhyme Rival romances rule says scenes seen serious setting shows Siege stage success suggests term theatre theory tion tragedy tragic tragicomedy true unity unity of place whole writing written