ما يقوله الناس - كتابة مراجعة
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Account Action Affectation againſt ancient appears Attempt Author Beauties becauſe beſt better Books called Change Character Collection common conſidered continued Copies Country critical Deſign deſired Diligence doubt eaſily Engliſh equally Excellence expected Eyes fame firſt fome Force Form Friend Genius give Hand himſelf Honour hope human Ignorance Imagination Italy juſt Kind King Knowledge known Labour Language laſt Learning leaſt leave leſs Line living Lord Love Manners Means Mind moſt muſt Name Nature neceſſary never Number obſerved Occaſion once Opinion original particular performed perhaps Place Plays pleaſe Poet Power Practice Praiſe preſent produced proper raiſed Reader Reaſon received Regard remarkable Right Rules ſame ſay ſeems Senſe Shakeſpeare ſhall ſhould ſome ſometimes ſtill Subject ſuch ſuppoſe themſelves theſe Things thoſe thought tion true Truth Uſe Virtue Want whole whoſe World Writers written
الصفحة 149 - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
الصفحة 95 - THAT praises are without reason lavished on the dead, and that the honours due only to excellence are paid to antiquity, is a complaint likely to be always continued by those, who, being able to add nothing to truth, hope for eminence from the heresies of paradox...
الصفحة 149 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes anything, you more than see it, you feel it too.
الصفحة 103 - It is objected that by this change of scenes the passions are interrupted in their progression, and that the principal event, being not advanced by a due gradation of preparatory incidents, wants at last the power to move which constitutes the perfection of dramatic poetry.
الصفحة 131 - ... indulgence. Let us now be told no more of the dull duty of an editor.
الصفحة 104 - Tragedy was not in those times a poem of more general dignity or elevation than comedy; it required only a calamitous conclusion, with which the common criticism of that age was satisfied, whatever lighter pleasure it afforded in its progress.
الصفحة 120 - The work of a correct and regular writer is a garden accurately formed and diligently planted, varied with shades, and scented with flowers; the composition of Shakespeare is a forest, in which oaks extend their branches, and pines tower in the air, interspersed sometimes with weeds and brambles, and sometimes giving shelter to myrtles and to roses ; filling the eye with awful pomp, and gratifying the mind with endless diversity.
الصفحة 96 - As among the works of nature no man can properly call a river deep, or a mountain high, without the knowledge of many mountains, • and many rivers; so in the productions of genius, nothing can be styled excellent till it has been compared with other works of the same kind.
الصفحة 143 - ... mere improvement of the sense. For though much credit is not due to the fidelity, nor any to the judgment of the first publishers, yet they who had the copy before their eyes were more likely to read it right than we who read it only by imagination.
الصفحة 136 - ; of whom one ridicules his errors with airy petulance, suitable enough to the levity of the controversy ; the other attacks them with gloomy malignity, as if he were dragging to justice an assassin or incendiary. The one stings like a fly, sucks a little blood, takes a gay flutter, and returns for more; the other bites like a viper, and would be glad to leave inflammations and gangrene behind him.