The Works of Richard Hurd, Lord Bishop of Worcester: Critical worksT. Cadell and W. Davies, Strand, 1811 |
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الصفحة 55
... look for , and can con- template , with pleasure , the very same cha- racter , set forth by a different course of action , or displayed in some other person . 4. Comedy succeeds best when the scene is laid at home , tragedy for the most ...
... look for , and can con- template , with pleasure , the very same cha- racter , set forth by a different course of action , or displayed in some other person . 4. Comedy succeeds best when the scene is laid at home , tragedy for the most ...
الصفحة 60
... shewn a more accurate knowledge of human life : and , by opening these new and untryed veins of humour , have exceedingly enriched the comedy of our times . tec + But , though we are not to look for 60 ON THE PROVINCES OF.
... shewn a more accurate knowledge of human life : and , by opening these new and untryed veins of humour , have exceedingly enriched the comedy of our times . tec + But , though we are not to look for 60 ON THE PROVINCES OF.
الصفحة 61
Richard Hurd. + But , though we are not to look for the two species of humour , before - mentioned , in the same perfection on the simpler stages of Greece and Rome , as in our improved Theatres , yet the first of them was clearly seen ...
Richard Hurd. + But , though we are not to look for the two species of humour , before - mentioned , in the same perfection on the simpler stages of Greece and Rome , as in our improved Theatres , yet the first of them was clearly seen ...
الصفحة 83
... look for every sort of pleasure from tragedy [ or comedy ] but that which is peculiarly proper to each1 . " Human life , this writer says , 66 can be considered but as " high or low ; " and " a representation of it " can please only as ...
... look for every sort of pleasure from tragedy [ or comedy ] but that which is peculiarly proper to each1 . " Human life , this writer says , 66 can be considered but as " high or low ; " and " a representation of it " can please only as ...
الصفحة 86
... look for in dramatic characters . Inferior personages , acting with less reserve and caution , afford the fittest oc- casion to the poet of expressing their genuine tempers and dispositions . Or , if a picture of the manners be expected ...
... look for in dramatic characters . Inferior personages , acting with less reserve and caution , afford the fittest oc- casion to the poet of expressing their genuine tempers and dispositions . Or , if a picture of the manners be expected ...
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عبارات ومصطلحات مألوفة
action admiration Aelian Aeneis affections allusion ancient appear Aristotle beauty BISHOP OF WORCESTER cerned character chuses circumstances comedy comic common conclusion copied critic degree delight disposition doth drama draught end of poetry entertainment epic Euripides expression fable fancy FARCE genius ginal give GONDIBERT Greece Greek hath Homer human humour idea imagery imagination imita instance invention Italian Jonson kind language Latin learned Ludlow Castle manners MARKS OF IMITATION mean Milton mind modern nature nihil numbers object observation occasion original particular passion peculiar perhaps periphrasis persons picture Plato Plautus pleasure poem poet poet's poetic Pope proper province racter reader reason reflexions religion repre representation resemblance rhyme RICHARD HURD ridicule rience scene sense sentiment Shakespear shew similar sion sort speak species Statius taken taste Theophrastus things thought tion tragedy true truth turn verse Virgil WILLIAM JEPHSON words καὶ
مقاطع مشهورة
الصفحة 258 - Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of Truth, in endless Error hurl'd: The glory, jest, -and riddle of the world!
الصفحة 246 - Begin to cast a beam on the outward shape, 460 The unpolluted temple of the mind, And turns it by degrees to the soul's essence, Till all be made immortal ; but when lust By unchaste looks, loose gestures, and foul talk, But most by lewd and lavish act of sin, Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being.
الصفحة 247 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
الصفحة 245 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become • A kneaded clod...
الصفحة 292 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
الصفحة 284 - Lets in new light through chinks that Time has made: Stronger by weakness, wiser men become As they draw near to their eternal home. Leaving the old, both worlds at once they view That stand upon the threshold of the new.
الصفحة 125 - It was the lark, the herald of the morn, No nightingale ; look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
الصفحة 284 - And, as I wake, sweet music breathe Above, about, or underneath, Sent by some spirit to mortals good, Or the unseen Genius of the wood.
الصفحة 249 - Sirens' harmony, That sit upon the nine infolded spheres, And sing to those that hold the vital shears, And turn the adamantine spindle round On which the fate of gods and men is wound.
الصفحة 234 - Therefore they who say our thoughts are not our own because they resemble the Ancients may as well say our faces are not our own because they are like our fathers...