The Works of Richard Hurd, Lord Bishop of Worcester: Critical worksT. Cadell and W. Davies, Strand, 1811 |
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الصفحة 8
... present it in the most taking forms ; not to re- flect the real face of things , but to illustrate and adorn it ; not to represent the fairest ob- jects only , but to represent them in the fairest lights , and to heighten all their ...
... present it in the most taking forms ; not to re- flect the real face of things , but to illustrate and adorn it ; not to represent the fairest ob- jects only , but to represent them in the fairest lights , and to heighten all their ...
الصفحة 10
... present , of these two requisites of universal poetry , namely , that licence of expression , which we call the style of poetry , and that licence of represen tation , which we call fiction . The style is 10 ON THE IDEA OF.
... present , of these two requisites of universal poetry , namely , that licence of expression , which we call the style of poetry , and that licence of represen tation , which we call fiction . The style is 10 ON THE IDEA OF.
الصفحة 12
... presents , are to the imagina- tion . In process of time , what was at first the extemporaneous production of genius or passion , under the conduct of a natu- ral ear , becomes the labour of the closet , and is conducted by artificial ...
... presents , are to the imagina- tion . In process of time , what was at first the extemporaneous production of genius or passion , under the conduct of a natu- ral ear , becomes the labour of the closet , and is conducted by artificial ...
الصفحة 38
... present at a course of living action . And this illusion quickens our atten- expression is so put , as if he had been conscious that persons , not actions , were the direct object of comedy . And the quotation , now alledged from ...
... present at a course of living action . And this illusion quickens our atten- expression is so put , as if he had been conscious that persons , not actions , were the direct object of comedy . And the quotation , now alledged from ...
الصفحة 69
... present case , their autho- rity is , in fact , of no moment . The form of the Greek , from whence the Roman and our drama is taken , though ge- nerally improved by reflexion and just criticism , yet , like so many other great ...
... present case , their autho- rity is , in fact , of no moment . The form of the Greek , from whence the Roman and our drama is taken , though ge- nerally improved by reflexion and just criticism , yet , like so many other great ...
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عبارات ومصطلحات مألوفة
action admiration Aelian Aeneis affections allusion ancient appear Aristotle beauty BISHOP OF WORCESTER cerned character chuses circumstances comedy comic common conclusion copied critic degree delight disposition doth drama draught end of poetry entertainment epic Euripides expression fable fancy FARCE genius ginal give GONDIBERT Greece Greek hath Homer human humour idea imagery imagination imita instance invention Italian Jonson kind language Latin learned Ludlow Castle manners MARKS OF IMITATION mean Milton mind modern nature nihil numbers object observation occasion original particular passion peculiar perhaps periphrasis persons picture Plato Plautus pleasure poem poet poet's poetic Pope proper province racter reader reason reflexions religion repre representation resemblance rhyme RICHARD HURD ridicule rience scene sense sentiment Shakespear shew similar sion sort speak species Statius taken taste Theophrastus things thought tion tragedy true truth turn verse Virgil WILLIAM JEPHSON words καὶ
مقاطع مشهورة
الصفحة 258 - Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of Truth, in endless Error hurl'd: The glory, jest, -and riddle of the world!
الصفحة 246 - Begin to cast a beam on the outward shape, 460 The unpolluted temple of the mind, And turns it by degrees to the soul's essence, Till all be made immortal ; but when lust By unchaste looks, loose gestures, and foul talk, But most by lewd and lavish act of sin, Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being.
الصفحة 247 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
الصفحة 245 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become • A kneaded clod...
الصفحة 292 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
الصفحة 284 - Lets in new light through chinks that Time has made: Stronger by weakness, wiser men become As they draw near to their eternal home. Leaving the old, both worlds at once they view That stand upon the threshold of the new.
الصفحة 125 - It was the lark, the herald of the morn, No nightingale ; look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
الصفحة 284 - And, as I wake, sweet music breathe Above, about, or underneath, Sent by some spirit to mortals good, Or the unseen Genius of the wood.
الصفحة 249 - Sirens' harmony, That sit upon the nine infolded spheres, And sing to those that hold the vital shears, And turn the adamantine spindle round On which the fate of gods and men is wound.
الصفحة 234 - Therefore they who say our thoughts are not our own because they resemble the Ancients may as well say our faces are not our own because they are like our fathers...