Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, المجلد 28Gale Research Company, 1984 |
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الصفحة 363
... Sonnets - Platonism , for example , or the Renais- sance ideal of friendship - John Benson's is undoubtedly the most radical . In order to cover up the fact that the first 126 of the Sonnets were written to a male , Benson in his 1640 ...
... Sonnets - Platonism , for example , or the Renais- sance ideal of friendship - John Benson's is undoubtedly the most radical . In order to cover up the fact that the first 126 of the Sonnets were written to a male , Benson in his 1640 ...
الصفحة 366
... Sonnets are about Shakespeare but not as a lover of young men or , ( 2 ) Boswell's - the Sonnets are not about Shakespeare or anything else , especially not about Shakespeare as a lover of young men . Though these approaches are ...
... Sonnets are about Shakespeare but not as a lover of young men or , ( 2 ) Boswell's - the Sonnets are not about Shakespeare or anything else , especially not about Shakespeare as a lover of young men . Though these approaches are ...
الصفحة 386
... sonnets . Nam- ing a number of the dramatist's earlier plays , Meres speaks also of sonnets passing around the poet's " private friends ” . The notion of the " private " is as important to these poems as is the " difficult " . The ...
... sonnets . Nam- ing a number of the dramatist's earlier plays , Meres speaks also of sonnets passing around the poet's " private friends ” . The notion of the " private " is as important to these poems as is the " difficult " . The ...
المحتوى
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York