Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, المجلد 28Gale Research Company, 1984 |
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النتائج 1-3 من 89
الصفحة 169
... once the instrument and symbol of evasive native resis- tance to the organizing " view " of the colonizer . " So soon as they [ are ] out of sight , " Spenser insists , the Irish in- variably " shake off their bridles and begin to colt ...
... once the instrument and symbol of evasive native resis- tance to the organizing " view " of the colonizer . " So soon as they [ are ] out of sight , " Spenser insists , the Irish in- variably " shake off their bridles and begin to colt ...
الصفحة 367
... Once difference was ground- ed in the body rather than in metaphysics , once male and female anatomy was perceived as incommensurate rather than homologous , then sexuality lost its ' social ' bearings and became instead a matter of ...
... Once difference was ground- ed in the body rather than in metaphysics , once male and female anatomy was perceived as incommensurate rather than homologous , then sexuality lost its ' social ' bearings and became instead a matter of ...
الصفحة 387
... once inner and outer , psychological and social ; and is capable of at once uniting us with the world about us as hardly any other force can , and of dividing us from it irreparably . These marriages and wars are not merely historical ...
... once inner and outer , psychological and social ; and is capable of at once uniting us with the world about us as hardly any other force can , and of dividing us from it irreparably . These marriages and wars are not merely historical ...
المحتوى
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York