Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, المجلد 28Gale Research Company, 1984 |
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الصفحة 146
... rhetorical gifts : List his discourse of war , and you shall hear A fearful battle rend'red you in music . ( 1.1.43-44 ) 2 The pleasures Canterbury indicates rhetoric can induce . by transforming gruesome historical events becomes in ...
... rhetorical gifts : List his discourse of war , and you shall hear A fearful battle rend'red you in music . ( 1.1.43-44 ) 2 The pleasures Canterbury indicates rhetoric can induce . by transforming gruesome historical events becomes in ...
الصفحة 147
... rhetoric war is never a private project , subjective- ly motivated , but thrust upon the leadership by the most compelling of external circumstances , typically the insup- portable conduct of the enemy in violation of the rights of the ...
... rhetoric war is never a private project , subjective- ly motivated , but thrust upon the leadership by the most compelling of external circumstances , typically the insup- portable conduct of the enemy in violation of the rights of the ...
الصفحة 149
... rhetoric of glory with an account of postwar condi- tions readily recognizable as the social reality.26 Coming well after Henry's victory is certified , Pistol's speech serves as a sharp reminder of what the war does not re- solve ...
... rhetoric of glory with an account of postwar condi- tions readily recognizable as the social reality.26 Coming well after Henry's victory is certified , Pistol's speech serves as a sharp reminder of what the war does not re- solve ...
المحتوى
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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عبارات ومصطلحات مألوفة
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York