Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, المجلد 28Gale Research Company, 1984 |
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الصفحة 110
... stage - centered reading , and that it is fully accessible only to the literary model of stage - cen- tered reading , which provides an interpretive standpoint outside the direct or indirect influence of the stage . Notes A. R. ...
... stage - centered reading , and that it is fully accessible only to the literary model of stage - cen- tered reading , which provides an interpretive standpoint outside the direct or indirect influence of the stage . Notes A. R. ...
الصفحة 184
... stage blending of unpretentious naturalism of style ( as in the crowd scene before the christening in Henry VIII , V.iii . 1- 90 ) unexpectedly combined with exploitation of the new scenic effects which Inigo Jones had recently imported ...
... stage blending of unpretentious naturalism of style ( as in the crowd scene before the christening in Henry VIII , V.iii . 1- 90 ) unexpectedly combined with exploitation of the new scenic effects which Inigo Jones had recently imported ...
الصفحة 312
... stage . It has often been remarked that the resurgent political misogyny of Elizabeth's court in the 1590s coincided with a dramatic increase , as it were , of misogyny onstage ; in the years after her death , as recent studies have ...
... stage . It has often been remarked that the resurgent political misogyny of Elizabeth's court in the 1590s coincided with a dramatic increase , as it were , of misogyny onstage ; in the years after her death , as recent studies have ...
المحتوى
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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عبارات ومصطلحات مألوفة
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York