Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, المجلد 28Gale Research Company, 1984 |
من داخل الكتاب
النتائج 1-3 من 78
الصفحة 101
... thou That counterfeit'st the person of a king ? The King himself , who , Douglas , grieves at heart So many of his shadows thou hast met , And not the very King . . . . Douglas . I fear thou art another counterfeit , And yet , in faith , ...
... thou That counterfeit'st the person of a king ? The King himself , who , Douglas , grieves at heart So many of his shadows thou hast met , And not the very King . . . . Douglas . I fear thou art another counterfeit , And yet , in faith , ...
الصفحة 113
... thou wilt betray me , and get a thousand crowns of the King by carrying my head to him ; but I'll make thee eat iron like an ostrich , and swallow my sword like a great pin , ere thou and I part " ( 4.10.26-29 ) -understandably ...
... thou wilt betray me , and get a thousand crowns of the King by carrying my head to him ; but I'll make thee eat iron like an ostrich , and swallow my sword like a great pin , ere thou and I part " ( 4.10.26-29 ) -understandably ...
الصفحة 257
... thou once Was beaten from Modena , where thou slew'st Hirtius and Pansa , consuls , at thy heel Did famine follow , whom thou fought'st against― Though daintily brought up with patience more Than savages could suffer . Thou didst drink ...
... thou once Was beaten from Modena , where thou slew'st Hirtius and Pansa , consuls , at thy heel Did famine follow , whom thou fought'st against― Though daintily brought up with patience more Than savages could suffer . Thou didst drink ...
المحتوى
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York