The Counterfeit Idyll: The Garden Ideal and Social Reality in Nineteenth-century FictionM. Niemeyer, 1984 - 161 من الصفحات The series Studien zur deutschen Literatur (Studies in German Literature) presents outstanding analyses of German-speaking literature from the early modern period to the present day. It particularly embraces comparative, cultural and historical-epistemological questions and serves as a tradition-steeped forum for innovative literary research. All submitted manuscripts undergo a double peer-review process. Please contact the editor Marcus Böhm (marcus.boehm [at] degruyter.com) for further information regarding manuscript submission and subsidies. |
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Apollonius artificial associated Balzac beatus ille tradition becomes Biedermeier Bildungsroman century characters childhood classical contrast conventional Cornelie cultivation cultural depiction Der Nachsommer Dickens dominant earthly paradise Eduard Eliot Elysium embodies emotions enclave English Epigonen erotic enclave eroticism ethical Eugénie Eugénie Grandet Félix Flaubert Floss flowers garden as erotic garden enclave garden image garden of love garden realm garden setting garden types George Eliot German fiction Goethe Goethe's Goethean Grandet happiness harmony Heinrich Hermann hortus conclusus human ideal idyllic imagination Immermann's Jane Eyre Julien landscape literary literature locus amoenus Ludwig metaphorical mid-nineteenth-century French Mme de Rênal Nachsommer narrator nature neoclassical nineteenth-century German Nouvelle Héloïse novel orchard Paris passion pastoral portrayal Press primitivism provincial realist reflects Risach Rochester Romantic Rousseau Rousseauian rural Saint-Preux self-cultivation Silas Marner social reality society Stendhal Stifter symbolic Theocritus tion transcendence Univ urban Vergy Victorian virtue Wahlverwandtschaften Wemmick Werke whereas Wordsworth Wordsworthian